Happy Release Day to Tim Burgess

Following rave reviews for his recent solo album, I Love The New Sky, Tim Burgess today releases a new EP, titled Ascent Of The Ascended. The 6-track EP contains two superb new tracks, “Yours. To Be”, and “The Ascent Of The Ascended”, recorded soon after the album was finished, as well as four tracks recorded in New York City back in March as a live session for Paste magazine. Three of the tracks are from I Love The New Sky alongside a new version of The Charlatan’s classic ‘The Only One I Know’.

Of the lead track, “Yours. To Be”, Burgess says: “At the tail end of the glory of the night before – with all the hope and beauty that the following morning brings. Away from the glare of the party – like the calm after the storm has left town. It’s a feeling that’s so pure and uncluttered. It’s around a while, then real life starts to creep back in. It’s all about making the most of moments as they are happening .”

Burgess goes on to say: “There was an energy that came from recording the album with such a brilliant band – I didn’t want it to end, I wanted to record a bit of a magnum opus, which is where Ascent of the Ascended came in. I’d always wanted to work with Charles Hayward from This Heat, so we have him a ring and he said yeah. With “Yours. To Be” being almost like an instant feeling you get in a moment, very rarely in your life – the two songs are so different but they somehow complement each other. So an EP was the perfect idea.”

“We had so many plans for playing live this year – from South by Southwest to Glastonbury and everything in between. But that wasn’t to be. We played four shows in New York before lockdown happened – so our session for Paste Magazine was such a rare event, we’ve included the songs to complete the EP.”

Tim Burgess debuts ‘The Ascent Of The Ascended’

Having last month announced news of his new 6-track EP, Ascent Of The Ascended, and shared the beautiful lead track ‘Yours. To Be’, Tim Burgess today shares a video-of-the year contender for the EP’s title track, directed by Tim Pope. The video features our hero dressed in à la mode angel garb traversing rough terrain before taking to the skies in a microlight and flying off into the sunset… though no doubt returning home in time to host one of his legendary twitter listening parties.

Of the track and video Burgess says: “The Ascent of the Ascended – it’s about where we want to be, compared to where we find ourselves and how to bridge that gap. I sent the song to Tim Pope and he said he’d be up for making a video, his ideas really captured the atmosphere. It was quite a moment for me – I am a huge fan of Tim’s. Plus I got to fly and have a set of wings.”

The Ascent Of The Ascended EP contains two superb new tracks, “Yours. To Be”, and “The Ascent Of The Ascended”, recorded soon after his recent solo album was finished, as well as four tracks recorded in NYC back in March as a live session for Paste magazine. Three of the tracks are from I Love The New Sky alongside a new version of The Charlatan’s classic ‘The Only One I Know’.

Burgess says: “There was an energy that came from recording the album with such a brilliant band – I didn’t want it to end, I wanted to record a bit of a magnum opus, which is where Ascent of the Ascended came in. I’d always wanted to work with Charles Hayward from This Heat, so we gave him a ring and he said yeah. With “Yours. To Be” being almost like an instant feeling you get in a moment, very rarely in your life – the two songs are so different but they somehow complement each other. So an EP was the perfect idea. We had so many plans for playing live this year – from South by Southwest to Glastonbury and everything in between. But that wasn’t to be. We played four shows in New York before lockdown happened – so our session for Paste Magazine was such a rare event, we’ve included the songs to complete the EP.” 

Tim Burgess has also announced news of a tour for 2021. Full dates below…

April 2021 UK tour dates:

Monday 13th April – Dublin – Whelans *(SOLD-OUT!)*

Tuesday 14th April – Belfast – Ulster Sports Club

Thursday 16th April – Manchester – Night & Day *(SOLD-OUT!)*

Friday 17th April – Leeds – Brudenell Social Club *(SOLD-OUT!)*

Saturday 18th April – Manchester – Yes *(SOLD-OUT!)*

Monday 20th April – Kendal – Brewery

Tuesday 21st April – Glasgow – King Tuts *(SOLD-OUT!)*

Thursday 23rd April – Nottingham – Rescue Rooms

Friday 24th April – Cardiff – Clwb Ifor Bach

Saturday 25th April – Bristol – Thekla *(SOLD-OUT!)*

Monday 27th April – Birmingham – Hare and Hounds *(SOLD-OUT!)*

Tuesday 28th April – London – Oslo *(SOLD-OUT!)*

Wednesday 29th April – Portsmouth – Wedgwood Rooms

Tim Burgess announces ‘Ascent Of The Ascended’

Following rave reviews for his recent solo album, I Love The New Sky, Tim Burgess today announces news of a new EP, Ascent Of The Ascended, released 27th November via Bella Union and available to preorder here. The 6-track EP contains two superb new tracks, “Yours. To Be”, and “The Ascent Of The Ascended”, recorded soon after the album was finished, as well as four tracks recorded in New York City back in March as a live session for Paste magazine. Three of the tracks are from I Love The New Sky alongside a new version of The Charlatan’s classic ‘The Only One I Know’.

Of the lead track, “Yours. To Be”, Burgess says: “At the tail end of the glory of the night before – with all the hope and beauty that the following morning brings. Away from the glare of the party – like the calm after the storm has left town. It’s a feeling that’s so pure and uncluttered. It’s around a while, then real life starts to creep back in. It’s all about making the most of moments as they are happening .”

Burgess goes on to say: “There was an energy that came from recording the album with such a brilliant band – I didn’t want it to end, I wanted to record a bit of a magnum opus, which is where Ascent of the Ascended came in. I’d always wanted to work with Charles Hayward from This Heat, so we have him a ring and he said yeah. With “Yours. To Be” being almost like an instant feeling you get in a moment, very rarely in your life – the two songs are so different but they somehow complement each other. So an EP was the perfect idea.”

“We had so many plans for playing live this year – from South by Southwest to Glastonbury and everything in between. But that wasn’t to be. We played four shows in New York before lockdown happened – so our session for Paste Magazine was such a rare event, we’ve included the songs to complete the EP.”

“A gorgeous, summery slice of psych pop that’s peppered with nods to a who’s who of musical innovators. From the opening chords of Empathy for the Devil, which give a nod to The Cure’s Boys Don’t Cry, to the delightful Comme D-Habitude, which conjures up Sparks in their pomp, there’s not a bad note on the album.” Evening Standard – 5 stars *****

“Sunshine pop gently nudged and bustled off-centre by playful experimentation… There’s a lot going on here, yes, but with Burgess on such dynamic form, its all good.” MOJO – 4 stars ****

“Joyful and exuberant, it recalls the good cheer of post-Beatles Paul McCartney, while ‘Sweetheart Mercury’ has something of the sunshine pop of Super Furry Animals.” The Times – 4 stars ****

“This is an adroit, cohesive pop treasure melding early 70s Todd Rundgren, Nilsson’s introspection and the art-pop of Kevin Ayers and post-Roxy Eno.” The i – 4 stars ****

“An optimistic celebration, driven by hooky melodies and strong choruses: Lucky Creatures relishes its Scott Walker-ish spaciousness, stretching out in swirls of synth and string, while Sweetheart Mercury has a vamping rhythm enlivened by squelchy Moog. It’s all crowned by the confidence of I Got This, which reconciles Charlatans-esque country-soul Hammond to classy baroque-pop ba-ba-bas in a way that is unabashedly uplifting.” The Observer – 4 stars ****

“Fifth and best solo outing from the Charlatans frontman… The connective sense of an on-the-hoof holiday from the day job, plus emotionally deep and humorous lyrics, make this a winner.” Q – 4 stars ****

“Composed in the Norfolk countryside, the record has a wonderfully expansive feel. It’s big and brash, from the freewheeling strumming and plonks of piano on ‘Empathy for the Devil’ to the whirling, psychedelic synths of ‘The Warhol Me’. For a time of such profound melancholy, it’s comforting to hear Burgess with such a sunny outlook.” The Independent – 4 stars ****

“His best in years… With feel-good abandon, the confidence of these bold, varied arrangements shines from the speakers… An infectious album where ideas are abundant.” Record Collector – 4 stars ****

“The Beatles, Sparks, Abba, 10cc, Stereolab – all these and more are conjured up on 12 tracks full of space, complexity, beauty and lyrical wizardry.” Sunday Times

“Hugely uplifting, these twelve tracks are rich in melody and bear a loose and lovely feel.” The Sun – 4 stars ****

“Burgess is one of a kind. Each solo effort reveals more of his idiosyncratic nature. The boy wonder’s eye for a pop melody and a deft pop hook remains sharper than ever.” Shindig – 4 stars ****

I Love The New Skyindulges a love of classic pop rock, with sweet melodies, pop-literate lyrics and arrangements packed with delightful details.” The Telegraph

“The lone approach  seems to have indulged more of Tim Burgess’s agreeable idiosyncracies… We’re enchanted.” Uncut – 7/10

Happy Release Day Tim Burgess

Today Tim Burgess releases his new album ‘I Love The New Sky’ to much critical acclaim. How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, he’s been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him dear.

While in The Charlatans, Tim’s indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: ‘I Love The New Sky’. Released via Bella Union, it features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortless way with melody.

The twelve tunes of ‘I Love The New Sky’ were authored, he says, “in Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics – just dreaming away with music.”

So far, so Laurel Canyon, though ‘I Love The New Sky’ would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. “The Quietus had their office there,” he recalls. “I used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was ‘Glynnaestra’ by Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.”

As well as arranging and production duties on I Love The New Sky, O’Sullivan plays bass, drums and piano, from the bouncing chamber-pop chords of ‘Sweetheart Mercury’ and the punchy chorus of ‘Empathy For The Devil’, through to ‘Comme D’Habitude’’s juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on ‘Warhol Me’ and ‘Undertow’’s sombre balladry.

The album was arranged and recorded quickly but not rushed: “Ideas happen fast, don’t they?” Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor.

The results are nothing short of astounding. ‘I Love The New Sky’ has landed somewhere between Paul McCartney’s ‘RAM’ and Brian Eno’s ‘Taking Tiger Mountain (By Strategy)’ and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from ‘Empathy For The Devil’s gospel style rockabilly skip, through to the sophisticated song-craft of ‘Sweetheart Mercury’ and the Nilsson-esque ‘Sweet Old Sorry Me’, with the angst-y gravitas of ‘Undertow’, which Tim describes as “a mood-changer, influenced by 10cc.”

The final stages of the album’s year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on “mesmerised at what was happening to the songs, taking an even more magical turn.”

With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. He’ll be touring the album with a live ensemble featuring Daniel O’Sullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on ‘’Empathy…’ and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, “the future is friendly.”

Tim Burgess debuts ‘Laurie’

Fast achieving National Treasure status with his nightly twitter listening parties, and having previously shared videos for ‘Empathy For The Devil’ and ‘The Mall’, Tim Burgess has today shared a captivating video for new track “Laurie” from his upcoming album I Love The New Sky, out 22nd May via Bella Union. Of the track Burgess says: “Laurie is a love letter to the future from the past. An uplifting view of the world, written about a time when it’s hard to find positivity, but when you need optimism more than anything else.” The colourful part-animated video, directed by Callum Scott-Dyson and with filmed content by Nik Colk Void can be viewed below. Additionally, Burgess has announced news of his rescheduled Spring UK tour dates with all the shows moving to October 2020. Full dates HERE.

How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, he’s been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him dear.

While in The Charlatans, Tim’s indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: ‘I Love The New Sky’. Released via Bella Union, it features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortlessway with melody.

The twelve tunes of ‘I Love The New Sky’ were authored, he says, “in Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics – just dreaming away with music.”

So far, so Laurel Canyon, though ‘I Love The New Sky’ would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. “The Quietus had their office there,” he recalls. “I used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was ‘Glynnaestra’ by Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.”

As well as arranging and production duties on I Love The New Sky, O’Sullivan plays bass, drums and piano, from the bouncing chamber-pop chords of ‘Sweetheart Mercury’ and the punchy chorus of ‘Empathy For The Devil’, through to ‘Comme D’Habitude’’s juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on ‘Warhol Me’ and ‘Undertow’’s sombre balladry.

The album was arranged and recorded quickly but not rushed: “Ideas happen fast, don’t they?” Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor.

The results are nothing short of astounding. ‘I Love The New Sky’ has landed somewhere between Paul McCartney’s ‘RAM’ and Brian Eno’s ‘Taking Tiger Mountain (By Strategy)’ and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from ‘Empathy For The Devil’s gospel style rockabilly skip, through to the sophisticated song-craft of ‘Sweetheart Mercury’ and the Nilsson-esque ‘Sweet Old Sorry Me’, with the angst-y gravitas of ‘Undertow’, which Tim describes as “a mood-changer, influenced by 10cc.”

The final stages of the album’s year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on “mesmerised at what was happening to the songs, taking an even more magical turn.”

With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. He’ll be touring the album with a live ensemble featuring Daniel O’Sullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on ‘’Empathy…’ and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, “the future is friendly.”

Tim Burgess shares ‘The Mall’

Having last month announced his new album I Love The New Sky, released 22nd May via Bella Union,and shared a brilliant video for “Empathy For The Devil”, Tim Burgess today shares another little charmer of a video, this time for new single “The Mall”. Of the track Burgess says: The mall is like a state of mind – everything and nothing is there. It induces a kind of torpor. Even the process of going between floors is assisted by moving staircases. Shop windows are hypnotic but you don’t have to take part in anything. Malls are a great leveller – class and status disappear. They are like a waking dream, an altered state. A kind of limbo. Plus they are handy if you need new shoes or a doughnut.”

How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, he’s been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him dear.

While in The Charlatans, Tim’s indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: ‘I Love The New Sky’. Released via Bella Union, it features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortlessway with melody.

The twelve tunes of ‘I Love The New Sky’ were authored, he says, “in Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics – just dreaming away with music.”

So far, so Laurel Canyon, though ‘I Love The New Sky’ would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. “The Quietus had their office there,” he recalls. “I used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was ‘Glynnaestra’ by Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.”

As well as arranging and production duties on I Love The New Sky, O’Sullivan plays bass, drums and piano, from the bouncing chamber-pop chords of ‘Sweetheart Mercury’ and the punchy chorus of ‘Empathy For The Devil’, through to ‘Comme D’Habitude’’s juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on ‘Warhol Me’ and ‘Undertow’’s sombre balladry.

The album was arranged and recorded quickly but not rushed: “Ideas happen fast, don’t they?” Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor.

The results are nothing short of astounding. ‘I Love The New Sky’ has landed somewhere between Paul McCartney’s ‘RAM’ and Brian Eno’s ‘Taking Tiger Mountain (By Strategy)’ and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from ‘Empathy For The Devil’s gospel style rockabilly skip, through to the sophisticated song-craft of ‘Sweetheart Mercury’ and the Nilsson-esque ‘Sweet Old Sorry Me’, with the angst-y gravitas of ‘Undertow’, which Tim describes as “a mood-changer, influenced by 10cc.”

The final stages of the album’s year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on “mesmerised at what was happening to the songs, taking an even more magical turn.”

With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. He’ll be touring the album with a live ensemble featuring Daniel O’Sullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on ‘’Empathy…’ and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, “the future is friendly.