Happy Release Day BC Camplight

BC Camplight’s ‘Shortly After Takeoff’, the third instalment of his Manchester trilogy of albums is out now on Bella Union. Read some of the rave reviews below…

“This album is a masterpiece… A marvel, in which currents cut across each other in a half hour or so that roils with anxiety, stuns with beauty and, occasionally, provokes laughter.” The Guardian – 5 stars *****

“Rich in imagery and wonderfully diverse, from power pop to grimy electronica, from piano balladry to funky disco… A singular artist.” The Sun – 4 stars ****

“Electronic pop, icy funk and Eighties rock ensure it doesn’t get too serious, although a jazzy ode to his father called Angelo ends a fun album in heartfelt fashion”. The Times – 4 stars ****

“Heroic… A record of infinite twists… Bible-black humour and brilliantly fractured songs ensure Shortly After Takeoff is a joy.” Uncut – 9/10

“BC Camplight exceeds emotional baggage allowance in style… He’s often very funny, yet the music’s stylistic pitch underlines how destabilised his world has become, I Only Drink When I’m Drunk buffeted by vocoders and Flaming Lips drums, Back To Work plunging from pastoral pop to early techno chill.” MOJO – 4 stars ****

“Adult pop that catalogues self-destruction and interior male ennui with a double-shot of gallows humour. Paranoid, doomy synths temper the classicism of Christinzio’s luxuriant Harry Nilsson songwriting.” Q – 4 stars ****

“Glorious… A deep dive into the swirling emotion following his father’s death that manages to be funny, self-aware, grandiose and satirical. This is sophisticated stuff; Christinzio’s croon reminiscent of Brian Wilson or Harry Nilsson.” Shindig – 5 stars *****

Shortly After Takeoff sounds better than any other BC Camplight record. As he moves through quiet balladry to soaring gameshow synth-pop and crooner rock’n’roll, Christinzio’s vulnerability is always rendered by melodramatic strings and a charmingly lysergic production.” Loud & Quiet – 8/10

“His most intriguing release yet, pitched somewhere between the confessional-mundanity-as-art of Mark Kozalek and John Grant’s transmutation of pain into blissful melodicism.” Metro

“This is an examination of madness and loss,” says Brian Christinzio, the inimitable force behind BC Camplight. “I hope it starts a long overdue conversation.”

Fired by his ongoing battle with mental illness, Shortly After Takeoff is the final, and finest, chapter of what Christinzio calls his “Manchester Trilogy”, following 2015’s “How To Die In The North” and 2018’s “Deportation Blues”. All three albums were created after the native Philadelphian had moved to Manchester. Like Deportation Blues, Shortly After Takeoff spans singer-songwriter classicism, gnarly synth-pop and ‘50s rock’n’roll, with Christinzio’s similarly distinctive, flexible vocal carrying a fearless approach to lyrical introspection, but the new album is a major leap forward in songwriting sophistication and lyrical communication.

“It’s important to stress that this isn’t a redemption story,” he says. “I’m a guy who maybe lives a little hard and I’m in the thick of some heavy stuff. But as a result, I think I’ve made my best record.”

BC Camplight debuts ‘Shortly After Takeoff’

With his much-anticipated new album Shortly After Takeoff due for release 24th April via Bella Union, and already the subject of rave reviews in MOJO and Uncut, BC Camplight has today shared the title track from the album. Of the track BC Camplight comments: “I feel at home being down. I spend a lot of time there. Your toast can only land butter-side to the floor so many times before one questions if there is anything other than down. Well, right before I recorded Shortly After Takeoff I discovered that up exists. It’s a nice place to visit but I wouldn’t want to live there. This song is about my all too predictable free-fall back down. Back to where one can enjoy all the home-cooked comforts of their own fears. The familiar tightening grip. I write in this song regarding the fall “Shortly After Takeoff you’ll find me crashing out. Don’t pick up the pieces”.  This is where I live. I do my best work here. Maybe one day I will move up. I’m not ruling it out.”

“Heroic… A record of infinite twists… Bible-black humour and brilliantly fractured songs ensure Shortly After Takeoff is a joy.” Uncut – 9/10

“BC Camplight exceeds emotional baggage allowance in style… He’s often very funny, yet the music’s stylistic pitch underlines how destabilised his world has become, I Only Drink When I’m Drunk buffeted by vocoders and Flaming Lips drums, Back To Work plunging from pastoral pop to early techno chill.” MOJO – 4 stars ****

“This is an examination of madness and loss,” says Brian Christinzio, the inimitable force behind BC Camplight. “I hope it starts a long overdue conversation.”

Fired by his ongoing battle with mental illness, Shortly After Takeoff is the final, and finest, chapter of what Christinzio calls his “Manchester Trilogy”, following 2015’s “How To Die In The North” and 2018’s “Deportation Blues”. All three albums were created after the native Philadelphian had moved to Manchester. Like Deportation Blues, Shortly After Takeoff spans singer-songwriter classicism, gnarly synth-pop and ‘50s rock’n’roll, with Christinzio’s similarly distinctive, flexible vocal carrying a fearless approach to lyrical introspection, but the new album is a major leap forward in songwriting sophistication and lyricalcommunication.

“It’s important to stress that this isn’t a redemption story,” he says. “I’m a guy who maybe lives a little hard and I’m in the thick of some heavy stuff. But as a result, I think I’ve made my best record.”

The “heavy stuff” has come thick and fast for Christinzio. Just days before How To Die In The North was released, he was deported and banned from the UK because of visa issues. Estranged from his new home, his girlfriend and his dog, unable to promote his album and back home with his parents, Christinzio sunk deep into the dark. An Italian passport, care of his grandparents, eventually allowed him to re-settle in Manchester, but then just days before Deportation Blues was released, his father Angelo unexpectedly died.

“I went into a spiral that was worse than any time since my twenties,” he recalls. Hence the title Shortly After Takeoff: the feeling of being suddenly thwarted by what life throws at you. Making matters worse was a neurological disorder that returned after years in remission: “I see TV static, and it messes with how my brain interprets everything from sound to my own feelings.” 

One way to process tragedy is comedy, which elevates Shortly After Takeoff to a heightened plateau, from grief-stricken vulnerability to armoured bravado, from the black dog of depression to gallows humour. 

Bleak comedy is evident from the album’s first song. ‘I Only Drink When I’m Drunk’ features Christinzio’s trademark ‘keep you on your toes’ style. ‘Ghosthunting’ similarly changes tack, between serene melody, classical harps, and pounding passages. Though the Nilsson-esque ‘I Want To Be In the Mafia’ (Christinzio’s favourite lyric on the album) and the elegantly sombre ‘Arm Around Your Sadness’ are less changeable, the way ‘Back To Work’ trades dreamy AOR and robotic funk, “sums up this record perfectly,” Christinzio feels. “The verse seems to make sense, then out of nowhere, boom boom…just when you think you have it figured out… It’s the never-ending cycle of mental illness.”

Christinzio says his love of stylistic shifts is also linked to a, “pretty low attention span. I’m always stirring the pot, I never let it settle.” His personal life is similarly restless. Few might risk everything and abscond from the safety of home in Philadelphia, where he had released two albums, occasionally played live with local faves The War On Drugs – whose current members Dave Hartley and Robbie Bennett were part of the original BC Camplight live band – and guested on Sharon van Etten’s Epic album. “If I’d stayed, I’d be dead. Period,” he once mused, and what was Philly’s loss became Manchester’s gain. 

Shortly After Takeoff ends with the gorgeously tender 93-second ‘Angelo’, “a little fleeting moment for my dad. I wanted his name on the album, and something that sounded like a goodbye. It ends with the drums, like a heartbeat stopping…” That’s Christinzio and Shortly After Takeoff: his best, most honest, open and frequently heartbreaking record.