Pom Poko debut ‘Like A Lady’

With their new album Cheater due for release 15th January via Bella Union, and having previously shared the tracks ‘Andrew’ and ‘My Candidacy’, today Pom Poko share an entertaining video for new single “Like A Lady”. Of the track the band say: “Like A Lady was one of the first songs we wrote for the album – we started writing it in a cabin near Oslo and finished it in Piemonte in Italy, where we also started recording it. The whole song actually started with a long, jam-like sort of noise-rock intro, but when it was time to record it our friend/engineer/co-producer Marcus Forsgren suggested more of a Breeders/grungy intro that we just went with on the fly. The lyrics for the song slowly grew out from just jamming together, and are about what makes, or what one thinks makes, a woman, what even being a woman means, and it’s also a kind of tribute to all the different ways of being a woman that are out there. 

“If you have a vacancy for Favourite New Band, Pom Poko would like to apply for the role,” tweeted Tim Burgess in April, as Norway’s finest punk-pop anti-conformists revisited their joyous debut album, Birthday, for one of Tim’s mood-lifting Twitter listening parties. Pom Poko pimp their CV on all fronts with their glorious second album, Cheater, out early 2021. Between the quartet’s sweet melodies, galvanic punky ructions and wild-at-art-rock eruptions, Cheater is the sound of a band celebrating the binding extremes that make them so uniquely qualified to thrill: and, like Tim’s listening party, to fulfil any need you might have for a pick-you-up. 

As singer Ragnhild Fangel explains of the leap from Birthday to Cheater, “I think it’s very accurate to say that we wanted to embrace our extremes a bit more. In the production process I think we aimed more for some sort of contrast between the meticulously written and arranged songs and a more chaotic execution and recording, but also let ourselves explore the less frantic parts of the Pom Poko universe. I think both in the more extreme and painful way, and in the sweet and lovely way, this album is kind of amplified.” 

Both sonically and thematically, that sense of amplification asserts itself right off the bat with the tearaway title-track. Bursting into life on the back of a blast of fractious guitar noise, a thrashing riff and a sweetly sardonic vocal, “Cheater” laces its serotonin rush with tangy lyrics about dreams and, says Ragnhild, the kind of “cheating kid who doesn’t understand why they didn’t get things exactly like they wanted on their first try”: thematic motifs that reverberate throughout the album. 

From here, Pom Poko court their extremes with firecracker confidence. Its lilting melody laced with a critique of gender stereotypes and set to a Breeders-style lurch, “Like A Lady” is sharp and catchy. First single “Andrew” upholds a facility for simplicity in one of Pom Poko’s loveliest choruses, though a band such as this will never settle for the obvious: Martin Miguel Tonne’s jazzy guitars seem to do everything except what you expect them to.  

Further evidence arrives in the contrast between the thrilling, think-on-its-feet thrash-pop of “My Candidacy” – made in less than three hours – and the mellifluous “Danger Baby”, a tale of irrational fears with Ragnhild’s vocal and Martin’s guitar merged in unexpected union. That love for surprise synchronicities, slanted sounds and unexpected subject matter propels “Andy Go to School”, where a tempo-tweaked guitar line accompanies a lyric extolling the pleasures of water parks and a free-flowing sonic palette. “Towards the end one of the guitar pedals made a huge BZZZ sound in a pause, but we thought it was cool and raw so we just rolled with it,” says Ragnhild. “We like to mix the feeling of a surgically produced piece of music with the random sounds that also happen when you are a band playing together.” 

After its opening, almost Bolan-esque belches of guitar, “Look” extends that spirit of openness to an invitation to look outside of one’s self, before “Body Level” ends the album on a characteristically generous, unguarded – amplified – note of positivity. “Things get better,” sings Fangel, embracing directness with the same readiness as Pom Poko exult in giddy intricacy. 

The sound of four distinct personalities driving in divergent directions towards one destination, the result is an evolved snapshot of the bracingly contrary chemistry forged when Fangel, Tonne, Jonas Krøvel (bass) and Ola Djupvik (drums) united to play punk during a jazz gig at a literature festival in Trondheim (the band-members studied jazz there.)Taking their name and spirit from Japanese animation visionaries Studio Ghibli’s marvellously out-there film about raccoon-dog rebels with unfeasibly large testicles, Pom Poko showcased that convulsive individuality to exuberant effect on 2019’s Birthday. Along the way, they drew praise from NME, DIY, PopMatters, The Line Of Best Fit, The Independent and BBC Radio 6 Music, while going on to be nominated for two Norwegian Grammy Awards (Spellemannprisen) and The Nordic Music Prize. Meanwhile, a huge touring schedule included countless sold-out headline shows and a rapturously received UK jaunt with Ezra Furman. 

Written in the same run that produced interim releases “Leg Day” (with its playful dance-based video) and “Praise”, and recorded/produced in cooperation with Marcus Forsgren (Jaga Jazzist, Broen, Arc Iris), Cheater does its predecessor proud on every front. Bursting with colour and wonky life from its cover art (by close collaborator Erlend Peder Kvam) outwards, it differs from Birthday primarily in that its songs did not have a chance to be road-tested before going into the studio. But you wouldn’t know it. As Ragnhild explains, “That meant we had to practice the songs in a more serious way, but it also meant the songs had more potential to change when we recorded them since we didn’t have such a clear image of what each song should/could be as the last time.”  

In other words, consider that vacancy for free-thinking punk-pop adventurism in your life filled. Right, Tim? 

Pom Poko debut “My Candidacy”

Having recently announced their return with sophomore album Cheater, due for release 6th November via Bella Union, Pom Poko today share raucous new single “My Candidacy”. According to the band… “the song itself is kind of about the wish to be able to believe in unconditional love, even though you know that there probably is no such thing. We, at least, believe in unconditional love for riffy tunes with sing-song choruses.”

 “If you have a vacancy for Favourite New Band, Pom Poko would like to apply for the role,” tweeted Tim Burgess in April, as Norway’s finest punk-pop anti-conformists revisited their joyous debut album, Birthday, for one of Tim’s mood-lifting Twitter listening parties. Pom Poko pimp their CV on all fronts with their glorious second album. Between the quartet’s sweet melodies, galvanic punky ructions and wild-at-art-rock eruptions, Cheater is the sound of a band celebrating the binding extremes that make them so uniquely qualified to thrill: and, like Tim’s listening party, to fulfil any need you might have for a pick-you-up. 

As singer Ragnhild Fangel explains of the leap from Birthday to Cheater, “I think it’s very accurate to say that we wanted to embrace our extremes a bit more. In the production process I think we aimed more for some sort of contrast between the meticulously written and arranged songs and a more chaotic execution and recording, but also let ourselves explore the less frantic parts of the Pom Poko universe. I think both in the more extreme and painful way, and in the sweet and lovely way, this album is kind of amplified.” 

Both sonically and thematically, that sense of amplification asserts itself right off the bat with the tearaway title-track. Bursting into life on the back of a blast of fractious guitar noise, a thrashing riff and a sweetly sardonic vocal, “Cheater” laces its serotonin rush with tangy lyrics about dreams and, says Ragnhild, the kind of “cheating kid who doesn’t understand why they didn’t get things exactly like they wanted on their first try”: thematic motifs that reverberate throughout the album. 

From here, Pom Poko court their extremes with firecracker confidence. Its lilting melody laced with a critique of gender stereotypes and set to a Breeders-style lurch, “Like A Lady” is sharp and catchy. First single “Andrew” upholds a facility for simplicity in one of Pom Poko’s loveliest choruses, though a band such as this will never settle for the obvious: Martin Miguel Tonne’s jazzy guitars seem to do everything except what you expect them to.  

Further evidence arrives in the contrast between the thrilling, think-on-its-feet thrash-pop of “My Candidacy” – made in less than three hours – and the mellifluous “Danger Baby”, a tale of irrational fears with Ragnhild’s vocal and Martin’s guitar merged in unexpected union. That love for surprise synchronicities, slanted sounds and unexpected subject matter propels “Andy Go to School”, where a tempo-tweaked guitar line accompanies a lyric extolling the pleasures of water parks and a free-flowing sonic palette. “Towards the end one of the guitar pedals made a huge BZZZ sound in a pause, but we thought it was cool and raw so we just rolled with it,” says Ragnhild. “We like to mix the feeling of a surgically produced piece of music with the random sounds that also happen when you are a band playing together.” 

After its opening, almost Bolan-esque belches of guitar, “Look” extends that spirit of openness to an invitation to look outside of one’s self, before “Body Level” ends the album on a characteristically generous, unguarded – amplified – note of positivity. “Things get better,” sings Fangel, embracing directness with the same readiness as Pom Poko exult in giddy intricacy. 

The sound of four distinct personalities driving in divergent directions towards one destination, the result is an evolved snapshot of the bracingly contrary chemistry forged when Fangel, Tonne, Jonas Krøvel (bass) and Ola Djupvik (drums) united to play punk during a jazz gig at a literature festival in Trondheim (the band-members studied jazz there.)Taking their name and spirit from Japanese animation visionaries Studio Ghibli’s marvellously out-there film about raccoon-dog rebels with unfeasibly large testicles, Pom Poko showcased that convulsive individuality to exuberant effect on 2019’s Birthday. Along the way, they drew praise from NME, DIY, PopMatters, The Line Of Best Fit, The Independent and BBC Radio 6 Music, while going on to be nominated for two Norwegian Grammy Awards (Spellemannprisen) and The Nordic Music Prize. Meanwhile, a huge touring schedule included countless sold-out headline shows and a rapturously received UK jaunt with Ezra Furman. 

Written in the same run that produced interim releases “Leg Day” (with its playful dance-based video) and “Praise”, and recorded/produced in cooperation with Marcus Forsgren (Jaga Jazzist, Broen, Arc Iris), Cheater does its predecessor proud on every front. Bursting with colour and wonky life from its cover art (by close collaborator Erlend Peder Kvam) outwards, it differs from Birthday primarily in that its songs did not have a chance to be road-tested before going into the studio. But you wouldn’t know it. As Ragnhild explains, “That meant we had to practice the songs in a more serious way, but it also meant the songs had more potential to change when we recorded them since we didn’t have such a clear image of what each song should/could be as the last time.”  

In other words, consider that vacancy for free-thinking punk-pop adventurism in your life filled. Right, Tim? 

Pom Poko announce ‘Cheater’

“If you have a vacancy for Favourite New Band, Pom Poko would like to apply for the role,” tweeted Tim Burgess in April, as Norway’s finest punk-pop anti-conformists revisited their joyous debut album, Birthday, for one of Tim’s mood-lifting Twitter listening parties. Pom Poko pimp their CV on all fronts with their glorious second album, Cheater, due for release 6th November via Bella Union and available to preorder here. Between the quartet’s sweet melodies, galvanic punky ructions and wild-at-art-rock eruptions, Cheater is the sound of a band celebrating the binding extremes that make them so uniquely qualified to thrill: and, like Tim’s listening party, to fulfil any need you might have for a pick-you-up. 

Pom Poko have shared a first single titled “Andrew” from the album, which has just been premiered by NME. 

As singer Ragnhild Fangel explains of the leap from Birthday to Cheater, “I think it’s very accurate to say that we wanted to embrace our extremes a bit more. In the production process I think we aimed more for some sort of contrast between the meticulously written and arranged songs and a more chaotic execution and recording, but also let ourselves explore the less frantic parts of the Pom Poko universe. I think both in the more extreme and painful way, and in the sweet and lovely way, this album is kind of amplified.” 

Both sonically and thematically, that sense of amplification asserts itself right off the bat with the tearaway title-track. Bursting into life on the back of a blast of fractious guitar noise, a thrashing riff and a sweetly sardonic vocal, “Cheater” laces its serotonin rush with tangy lyrics about dreams and, says Ragnhild, the kind of “cheating kid who doesn’t understand why they didn’t get things exactly like they wanted on their first try”: thematic motifs that reverberate throughout the album. 

From here, Pom Poko court their extremes with firecracker confidence. Its lilting melody laced with a critique of gender stereotypes and set to a Breeders-style lurch, “Like A Lady” is sharp and catchy. First single “Andrew” upholds a facility for simplicity in one of Pom Poko’s loveliest choruses, though a band such as this will never settle for the obvious: Martin Miguel Tonne’s jazzy guitars seem to do everything except what you expect them to.  

Further evidence arrives in the contrast between the thrilling, think-on-its-feet thrash-pop of “My Candidacy” – made in less than three hours – and the mellifluous “Danger Baby”, a tale of irrational fears with Ragnhild’s vocal and Martin’s guitar merged in unexpected union. That love for surprise synchronicities, slanted sounds and unexpected subject matter propels “Andy Go to School”, where a tempo-tweaked guitar line accompanies a lyric extolling the pleasures of water parks and a free-flowing sonic palette. “Towards the end one of the guitar pedals made a huge BZZZ sound in a pause, but we thought it was cool and raw so we just rolled with it,” says Ragnhild. “We like to mix the feeling of a surgically produced piece of music with the random sounds that also happen when you are a band playing together.” 

After its opening, almost Bolan-esque belches of guitar, “Look” extends that spirit of openness to an invitation to look outside of one’s self, before “Body Level” ends the album on a characteristically generous, unguarded – amplified – note of positivity. “Things get better,” sings Fangel, embracing directness with the same readiness as Pom Poko exult in giddy intricacy. 

The sound of four distinct personalities driving in divergent directions towards one destination, the result is an evolved snapshot of the bracingly contrary chemistry forged when Fangel, Tonne, Jonas Krøvel (bass) and Ola Djupvik (drums) united to play punk during a jazz gig at a literature festival in Trondheim (the band-members studied jazz there.)Taking their name and spirit from Japanese animation visionaries Studio Ghibli’s marvellously out-there film about raccoon-dog rebels with unfeasibly large testicles, Pom Poko showcased that convulsive individuality to exuberant effect on 2019’s Birthday. Along the way, they drew praise from NME, DIY, PopMatters, The Line Of Best Fit, The Independent and BBC Radio 6 Music, while going on to be nominated for two Norwegian Grammy Awards (Spellemannprisen) and The Nordic Music Prize. Meanwhile, a huge touring schedule included countless sold-out headline shows and a rapturously received UK jaunt with Ezra Furman. 

Written in the same run that produced interim releases “Leg Day” (with its playful dance-based video) and “Praise”, and recorded/produced in cooperation with Marcus Forsgren (Jaga Jazzist, Broen, Arc Iris), Cheater does its predecessor proud on every front. Bursting with colour and wonky life from its cover art (by close collaborator Erlend Peder Kvam) outwards, it differs from Birthday primarily in that its songs did not have a chance to be road-tested before going into the studio. But you wouldn’t know it. As Ragnhild explains, “That meant we had to practice the songs in a more serious way, but it also meant the songs had more potential to change when we recorded them since we didn’t have such a clear image of what each song should/could be as the last time.”  

In other words, consider that vacancy for free-thinking punk-pop adventurism in your life filled. Right, Tim? 

Pom Poko debut new song ‘Praise’

There’s just so much fun to be had with the Norwegian’s art-rock band’s gloriously unhinged debut, an eccentric work that’s no slave to algorithm.” NME

“Pom Poko go for broke on their debut album, throwing everything they have against the wall with” TLOBF

“..a debut full of fired-up, spiky pop hits” DIY

Last year Norwegian quartet Pom Poko released their debut album Birthday on Bella Union to much critical acclaim and continued to gain adoration from their raucous live shows. With their upcoming headline performances in New York and Chicago + performances at New York’s New Colossus Festival and Austin’s SXSW Festival, Pom Poko have today shared a brand new single titled ‘Praise’.

Of the song, the band express that… “the idea for Praise was made in a tiny cabin in the woods, with no electricity and a lot of smoke from the fireplace clouding our the songwriting. The idea was to have a fast paced tune that was a bit wonky rhythmically, and it kept evolving during our touring in 2019 until it became a regular part of our setlist as Praise. Lyrically it’s about how you can “achieve anything you want” as long as you have a clear goal, and that you’re expected to always try to be the best version of yourself.”

Pom Poko’s full list of worldwide tour dates below, including New Colossus Festival in New York and SXSW Festival in Austin… 

11th March – Brooklyn – Elsewhere

12th March – New York – New Colossus Festival

13th March – New York – New Colossus Festival

14th March – Chicago – Empty Bottle

16th March – Austin –  Barracuda (Roskilde Festival SXSW Showcase)

17th March – Austin – House Of Scandinavia (SXSW Showcase)

17th March – Austin – British Embassy (ATC Live Showcase)

18th March – Austin – San Jose Hotel (South by San Jose Showcase)

19th March – Austin – Palm Door (Bella Union SXSW Showcase)

20th March – Austin – Music For Listener Showcase

21st March – Austin – White Denim Showcase

1st May – Fener – Reset Festival

2nd May – Leeds – Live At Leeds

3rd May – Glasgow – Stag & Dagger

14th – 15th August – Nitra – Flaam Festival

8th – 10th January 2020 – Bognor Regis – Rockaway Beach Festival

Pom Poko debut new track ‘Leg Day’

Renowned for their raucous live shows, Norwegian quartet Pom Poko today share the video for  brand new track Leg Day. Having released their debut album Birthday earlier this year through Bella Union this new track heralds news of further UK shows  – including a run of dates as guests of label-mate Ezra Furman  and follows previously sold-out shows at The Shacklewell Arms and The Lexington in London.

Presenting some context, the band explain; “Leg Day is one of our personal live favourites, because it’s so dancey and usually gets our pulse up quite a bit. The song was written over the course of a year, while we figured out how it should be played, before we found its final form as a Frankenstein distorted disco song about superheros and appreciating one’s legs, and recorded it as the sole inhabitants of a small northern Italian village.”

Pom Poko’s sweetly pop-punk melodies and disco-fried art-rock eruptions together with a sense of free-firing spirit, balls-out individuality is highlighted on Birthday and mirrored no less so in an exhilarating live set. A busy summer in attendance at numerous European festivals is followed by a welcome return to these shores including their biggest UK show to date at London’s Scala. The band then return for a run of shows as guests of label-mate Ezra Furman in November – the full live itinerary is:

August

30 Parkfest, Berlin (RadioEins) DE

September

01 End Of The Road Festival, Dorset UK

October

12 Twisterella, Middlesbrough UK

13 Sneaky Pete´s, Edinburgh UK

14 Phase One, Liverpool UK

15 Hyde Park Book Club, Leeds UK

16 BBC6 live session, Manchester UK

17 Deaf Institute, Manchester UK

18 Wild Paths, Norwich UK

19 Simple Things, Bristol UK

21 The Hope & Ruin, Brighton UK

22 The Joiners, Southampton UK

23 Scala, London UK

24 The Hope & Ruin, Brighton UK

25 Clwb Ifor Bach, Cardiff UK

26 Hare & Hounds, Birmingham UK

November

11 QMU, Glasgow UK **

12 Albert Hall, Manchester UK* *

13 O2 Academy, Bristol UK **

14 O2 Forum Kentish Town, London UK **

24 Vega Small Hall, København DK **

26 Debaser Strand, Stockholm SE **

** supporting Ezra Furman

NME 

There’s just so much fun to be had with the Norwegian’s art-rock band’s gloriously unhinged debut, an eccentric work that’s no slave to algorithm.”

TLOBF  

“Pom Poko go for broke on their debut album, throwing everything they have against the wall with 

DIY

“..a debut full of fired-up, spiky pop hits”

Pom Poko announce headline Scala show

Fresh from playing a raucous and sold out album launch party at London’s Shacklewell Arms, Norwegian noise-makers Pom Poko have sold out their headline show at The Lexington in April and have now added a Scala headline show to their UK tour in October.

The band will play Scala on Weds 23rd October and tickets for the new show are now on sale here. Today’s tour news coincides with an Album of theDay feature on BBC 6 Music for the band’s debut album, ‘Birthday’, which is out now on Bella Union. Between the Norwegian quartet’s sweetly punky melodies and disco-fried art-rock eruptions, a spirit of free-firing, balls-out individuality courses through their exhilarating debut.