Happy Release Day Piroshka

Today Piroshka release their new album Love Drips And Gathers via Bella Union. To mark the occasion, and having previously shared videos for ‘Scratching At The Lid’ and ‘V.O.’, the band have shared a video for the track “Loveable”. Commenting on the track Piroshka vocalist Miki Berenyi says: “I thought it was finally time to write an out and out love song! It was written very simply – led by the vocals and then finding the chords to meander around the melody. Justin’s percussion, Moose’s accent notes… there’s a lovely delicacy to the embellishments. I am getting very sentimental in my old age because when I first heard Mick’s bass (one of the last things to be added) my eyes started welling up.” 

“Reflective yet spirited… Their second album is more cohesive than 2018’s ‘Brickbat’. More trenchant too. ‘V.O’ is Berenyi’s shimmering tribute to 4AD designer Vaughn Oliver, who died in 2019. ‘Scratching At The Lid’ is a shoegazing / powerpop stormer from McKillop contemplating the loss of his father… In all, a bracing experience.” MOJO – 4 stars ****

“Band of shoegaze all-stars return to dreamy form… One of the great pleasures of Piroshka is the chance to hear Miki Berenyi find her flow as a songwriter again… There’s plenty of vintage shimmer and shine on ‘V.O’, a tribute to the late 4AD designer Vaughn Oliver, and ‘Familiar’, six pearly-dewdrop-filled minutes of Cocteaus-worthy loveliness.” Uncut – 7/10

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories – a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathersfollows a more introspective line – the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

“If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.” 

Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig – Lush. 

As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy. 

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn. 

Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ – more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.” 

Love Drips And Gathers – named after a line in a Dylan Thomas poem – was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life. 

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg). 

Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

Piroshka share tribute to Vaughan Oliver

With their new album Love Drips And Gathers due for release 23rd July via Bella Union, and having previously shared a video to lead track ‘Scratching At The Lid’, today Piroshka share a video to new single “V.O.” Of the track, which is a tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died in late 2019, Piroshka vocalist Miki Berenyi says: I wrote this originally as an instrumental but the rest of the band convinced me to put a vocal on it. The lyrics are snapshot snippets of Vaughan Oliver’s funeral in January 2020 – lines from the speeches, fleeting impressions of the day. I’m getting to the age where the people I grew up with are dying and I find funerals a comfort in the sadness, formal but emotional, a celebration of a life, a space for the living to reconnect.” Director Connor Kinsey adds: “We wanted to put this ominous-being centre frame and allow the viewer to reflect on fear and loss whilst also embracing hope and futurity through its life experiences. Giving the subject no recognisable features meant that it’s emotional journey through the different timelines felt more relatable to a wider audience.”

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories – a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathersfollows a more introspective line – the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

“If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.” 

Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig – Lush. 

As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy.

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn. 

Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ – more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.” 

Love Drips And Gathers – named after a line in a Dylan Thomas poem – was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life. 

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg). 

Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

Piroshka announce “Love Drips & Gathers”

Bella Union are thrilled to announce the release of Piroshka’s stunning second album, Love Drips And Gathers, out 23rd July and available to pre-order here. The album builds on the acclaim of the band’s 2018 debut LP “Brickbat” and the reputations of the former members of Lush, Moose, Elastica and Modern English. To celebrate the release Piroshka have shared a video for lead track “Scratching At The Lid” directed by Connor Kinsey / Home Picture Films and announced a number of Autumn UK live dates.

Piroshka emerged in 2018, four individuals with distinct musical identities but also overlapping histories – a combination that might have unsettled, or even overwhelmed, some bands. But in their case, the bond only got stronger. After “Brickbat” explored social and political divisions by way of what MOJO described as “Forceful, driving garage songs and dream-pop epics”, Love Drips And Gathersfollows a more introspective line – the ties that bind us, as lovers, parents, children, friends – to a suitably subtler, more ethereal sound, whilst still revelling in energy and drama.

“If Brickbat was our Britpop album, then Love Drips And Gathers is shoegaze!” reckons vocalist/guitarist Miki Berenyi, formerly of Lush, a band that effortlessly bridged the two genres like no other. “It wasn’t intentional; we just wanted a different focus. I’ve always seen debut albums as capturing a band’s first moments, when you really have momentum, and then the second album is the chance for a more thoughtful approach.” 

Bassist Mick Conroy (Modern English) agrees. “Brickbat was a classic first album; noisy and raucous. On Love Drips And Gathers, we’ve calmed down and explored sounds, and space.”

To recap; before Miki and KJ ‘Moose’ McKillop were a couple (and parents), they were pivotal figures on the London-centric 90s indie scene. Likewise, Elastica, whose drummer Justin Welch was part of Lush’s 2017 reunion, whilst Mick had played for both Moose and – on their last ever gig – Lush. 

As Lush Mark II came to an end, Justin persuaded Miki (who’d abandoned music when Lush first split in 1997) to start another band, Piroshka, which in turn reignited Moose’s own long-dormant ambitions. Whilst Justin and Miki were the dominant influence on Brickbat, this time Moose and Mick were given greater control over the production, with invaluable assistance from Bella Union’s in-house engineer Iggy. 

The way Love Drips And Gathers changes shape and dynamic is less a reprise of nineties Brit indie than a transformation into a more shivery, Euro-mantic version with glistening electronic filigrees. The opening ‘Hastings’ sets the tone. Luminous drops of guitar underpin Miki’s becalmed vocal before drums, bass and a Mellotron add pace while the decorative coda features their old pal Terry Edwards on flugelhorn. 

Framed by Mellotron, cello and piano. ‘The Knife-Thrower’s Daughter’ emphatically proves Piroshka can be restrained without losing any essence of drama: the calm before the euphoria pure-pop storm of ‘Scratching At The Lid’. The words ‘ethereal’ and ‘shimmering’ were surely invented for the likes of ‘Loveable’, but the uncanny DNA of ‘V.O.’ is less categorisable – a Bond theme in the making with electro-gliding beats, perhaps? ‘Wanderlust’ and ‘Echoloco’ might be described as Francophile cousins of Lush before the haunting lullaby of ‘Familiar’ segues into the pulsing, rippling instrumental finale ‘We Told You’ – more eighties synth drama than nineties indie, with vocal samples played on what Moose calls, “the Miki-tron.” 

Love Drips And Gathers – named after a line in a Dylan Thomas poem – was inspired by love, family, belonging, memory. Miki and Moose split the eight lyrics, with some poignant overlaps here too. Miki’s ‘Loveable’ looks to Moose; Moose’s ‘The Knife-Thrower’s Daughter’ looks to Miki, but also their daughter Stella and his sister Anna; an empathic, touching embrace of the women in his life. 

Staying within the family, Moose eulogises his late mother (the idyllic childhood seaside trip of ‘Hastings 1973’) and father (the more conflicted ‘Scratching At The Lid’). On ‘V.O.’, Miki pays fond tribute to Vaughan Oliver, 4AD’s legendary in-house art director who died suddenly in December 2019, and who had a particularly close relationship with Lush during their time on the label (like Brickbat, Love Drips And Gathers’ beautiful and enigmatic artwork is by Vaughan’s former design partner Chris Bigg). 

Love Drips And Gathers’ nine tracks will each have its own video (all to be made by Connor Kingsley), with a continuing thread that will eventually create one story. Piroshka’s own story is rooted in family – both those you’re born with, and those (friends) you choose.

Piroshka share “What’s Next?”

Following the announcement of their thrilling debut album Brickbat (to be released February 15th via Bella Union) and the release of first track “Everlastingly Yours”, today Piroshka are pleased to share another exceptional track titled “What’s Next?”. 

Piroshka is comprised of former Lush vocalist/guitarist Miki Berenyi, former Moose guitarist KJ “Moose” McKillop, Modern English bassist Mick Conroy and former Elastica drummer Justin Welch.

Speaking on the new track, Berenyi comments“‘What’s Next’ started life as a guitar-and-drums demo from Justin that he’d called ‘Protest’ – the drums being inspired by the idea of a protest march. It’s one of the very first songs Piroshka worked on together. The lyrics are inspired by the shock and fallout regarding current political upheavals – how this finger-pointing and rage and blame are so damaging, how we need to get back some kind of solidarity if we possibly can because the divisions between us are playing into certain people’s hands. Funnily enough, the song was called Time’s Up when it was first recorded, but that title then got taken so we thought we’d better change it! It’s the only track on the album mixed by Alan Moulder – before we got picked up by Bella Union, we had an album’s worth of demos but we only had enough money to get one of them mixed!”

The album is named after the word for a missile, which nails the record’s heavyweight lyrics if not the music’s gorgeous, bittersweet and euphoric pop. Think of Brickbat as a wolf in sheep’s clothing – which suits the name Piroshka, the Hungarian take on the wolf-terrorized fairytale hero Little Red Riding Hood.

The connections between the members are a veritably tangled family tree. Before they lived together and raised a family, Miki and Moose were notable figures on the so-called shoegaze scene, while Elastica were Britpop peers. After post-punk pioneers Modern English split for a second time, Mick became a latterday member of Moose, while Justin joined the reformed Lush in 2015. And when Lush required a bassist for what proved to be their final show (in Manchester) in November 2016, Mick stepped in. 

It was the rehearsals for that Manchester show that laid the foundations for Piroshka. “We sounded great!” says Justin. “Like a proper punk band. Mick brings a huge amount of enthusiasm and livens up the room, and I thought, this is the kind of band I want to be in again.” Mick agreed. “I’d seen Lush so many times, it was like playing with old friends. Miki agreed it was good fun too. And with Moose available we thought, let’s all have a bash, see what happens.”

Though Brickbat kicks off with a squeal of feedback, the album is far from a proper punk record, with as much sublime delicacy as physical force, with guitars to the fore but also electronic flourishes in all manner of spaces. Combined, they drive the nuggety melodic bombs long associated with Miki’s songwriting. But it wasn’t a foregone conclusion that she would want to join a new band. In the wake of Lush drummer Chris Acland’s unexpected suicide in 1997, his shocked and grieving bandmates felt unable to continue. Miki, in particular, “had to get completely away from music. The gate just shut for me.” 

As a parent with a full-time job, it took Miki until 2015 to agree to reunite Lush, with Chris’ good friend Justin on drums. But it wasn’t to be a permanent arrangement. “After the Manchester show, Justin asked if I’d be up for something else,” Miki recalls. “But I’d never made music outside of Lush, and I’ve never wanted to do anything solo. I need someone else to motivate me, and in this case it was Justin. He sent drum tracks with guitar parts and odd words, so I wrote some vocals and lyrics, which became ‘This Must Be Bedlam’ and ‘Never Enough’. When Mick added bass, it sounded great. When Moose added guitar and keyboards – I’d never written like that before, it was such good fun.”

The blunt, forceful lyrics are many miles from Lush, tapping the current fear and loathing at the heart of society and politics, sometimes viewed through the heightened, anxious prism of parenthood, brutally honest at every turn. Take “Village Of The Damned”, the words penned by Moose (alongside ‘Hated By The Powers…’ and ‘Everlastingly Yours’). “It’s about school shootings,” he frowns, “and our reaction to almost being unable to take our eyes off twenty-four-hour news and internet feeds. You’re depressed and appalled by what you see.” 

“Heartbeats” is Miki’s parent-related lyric, “the idea of closeness with your baby, and then as they grow, you have to let them go off into the world.” And what a world awaits them. Both “What’s Next” and “This Must Be Bedlam” were inspired by the mess of Brexit (“the idea of unity versus disunity” says Miki), “Never Enough” rails against greed and inequality and “Hated By The Powers That Be” was inspired by a button badge that Moose found with the slogan Hated By The Daily Mail. “It feels good to be that kind of person,” he declares. “To know we are not alone in being appalled with what’s going on.”

Bella Union skipper Simon Raymonde had been one of the first to hear the demos; he instantly signed the band, further entangling the Piroshka family tree – his former bandmate Robin Guthrie (of Cocteau Twins) produced Lush’s debut album, while Raymonde’s current bandmate Richie Thomas (in Lost Horizons) is a former member of Moose. Raymonde subsequently introduced Piroshka to Paul Gregory of Bella Union labelmates Lanterns On The Lake who mixed Brickbat (except ‘What’s Next’, mixed by Alan Moulder) and to Fiona Brice (another Bella Union alumni), who wrote Brickbat’s strings arrangements, with Terry Edwards (ex-Higsons, current Blockhead), who played on Lush’s final album, on brass. 

Together, from the feedbacking intro to the beautifully fuggy dream that is the album finale “She’s Unreal”, Piroshka and Brickbat are a wonderful and unexpected union of proven talent.