Penelope Isles share “Sudoku”

Penelope Isles, the project of UK-born and bred siblings, co-songwriters and co-vocalists Lily and Jack Wolter, recently announced Which Way To Happy, their sophomore album and follow-up to their 2018 debut Until The Tide Creeps In.  Which Way To Happy—which was produced by Jack, mixed by Dave Fridmann, and will be released on November 5th via Bella Union—has been previewed with single “Sailing Still,” and “Iced Gems,” and today the band shares another incredible record teaser with the psychedelic dream-pop single “Sudoku.” “‘Sudoku’ is probably the oldest song on the album. We used to play it in our old band, Your Gold Teeth, back on the Isle of Man when Lily and I first started making music,” Jack explains. “Dad loves a sudoku puzzle whilst he’s sat on the loo. So this one is for him! It’s a special song for us and we wanted to bring it back and play it with Penelope Isles.”

Jack and Lily spent much of 2019 driving through Europe and America with their bandmates, and, like many, felt everything was falling apart when COVID-19 put their upcoming plans to a halt. The duo, dealing with their own respective romantic heartaches, and coping with the loss of two band members who were replaced with Henry Nicholson, Joe Taylor, and Hannah Feenstra who contributed during recording,  (“A godsend after a low time,” says Lily) were staying in a small cottage in Cornwall to start work on the new album when lockdown began. Claustrophobia kicked in, existential anxiety over the pandemic permeated everything, and emotions ran high. “We were there for about two or three months, ultimately,” says Jack. “It was a tiny cottage and we all went a bit bonkers, and we drank far too much, and it spiralled a bit out of control. There were a lot of emotional evenings and realisations, which I think reflects in the songs. Writing and recording new music was a huge part of the recovery process for all of us.

”The result is an intoxicating leap forward for the Brighton-based band, following the calling-card DIY smarts of their 2019 debut, Until the Tide Creeps In. Sometimes it swoons, sometimes it soars. Sometimes it says it’s OK to not be OK. Pitched between fertile coastal metaphors and winged melodies, intimate confessions and expansive cosmic pop, it transforms “difficult second album” clichés into a thing of glorious contrasts: a second-album surge of up-close, heartfelt intimacies and expansive, experimental vision. 

Penelope Isles announce “Which Way To Happy”

Following their recent single ‘Sailing Still’, today Penelope Isles announce news of their much-anticipated second album, Which Way To Happy, out 5th November via Bella Union and available to pre-order here. To celebrate the occasion the band have shared a colourful and psychedelic video for blissful new single “Iced Gems”.

When you’re trying to make it through tough times, you need a little light to find your way. That light blazes brightly on the alchemical second album from Penelope Isles, an album forged amid emotional upheaval and band changes. Setting the uncertainties of twentysomething life to alt-rock and psychedelic songs brimming with life, colour and feeling, Which Way to Happy emerges as a luminous victory for Jack and Lily Wolter, the siblings whose bond holds the band tight at its core.  

Produced by Jack and mixed by US alt-rock legend Dave Fridmann, the result is an intoxicating leap forward for the Brighton-based band, following the calling-card DIY smarts of their 2019 debut, Until the Tide Creeps In. Sometimes it swoons, sometimes it soars. Sometimes it says it’s OK to not be OK. Pitched between fertile coastal metaphors and winged melodies, intimate confessionals and expansive cosmic pop, it transforms “difficult second album” clichés into a thing of glorious contrasts: a second-album surge of up-close, heartfelt intimacies and expansive, experimental vision.  

Warm and rippling new single ‘Iced Gems’ is a sorrowed lament, played out over the gentlest of fluttery keyboards and experimental electronic sounds, while Lily’s ‘Sailing Still’ charts the life of a relationship to a slow-burn and sorrowed soundscape of dulcitones, cello, violin and more: building in increments to a climax of measured grandeur.

The album swerves into Mercury Rev and MGMT’s cosmic slipstream with ‘Miss Moon,’ a galloping centrepiece with an irresistible call to dream: “Hey, kids – look up!” Steering the album through further contrasts, ‘Have You Heard’ is a feelgood flurry of insistent, pulsing space-rock; ‘Pink Lemonade,’ meanwhile, is a song of sweet, sharp beauty, touching on fading childhood memories and lifted by Fiona Brice’s strings. ‘11 11’ hosts Lily’s most tender vocal yet: recorded in one take through tears, it finds Penelope Isles at their most exposed, with Brice’s strings weeping in sympathy. Finally, ‘In a Cage’ cogitates on confinement yet finds solace in field recordings of happy, high times – a judicious note of meditative reflection after a giddy ride. 

More field recordings were made during a stay at a small cottage in Cornwall, where Penelope Isles began work on the album. With romantic heartache already in the air, things swiftly got worse: lockdown began, claustrophobia kicked in and emotions ran high. As Jack puts it, “We were there for about two or three months. It was a tiny cottage with four of us in and we all went a bit bonkers, and we drank far too much, and it spiralled a bit out of control. There were a lot of emotional evenings and realisations, which I think reflects in the songs.” 

After Cornwall, the band redid many of the rhythm tracks, recorded a little in Brighton, then recorded more in Cornwall at their parents’ house. “It was,” says Jack, “a proper rollercoaster ride.” 

The ride continued with Fridmann, whose recent credits include Isles’ favourites Mogwai’s No 1 album, As the Love Continues. As Lily puts it, the process of sending Fridmann a mix, receiving it back in the morning and then having five hours to make decisions on it resulted first in stress, then in something sublime. “He made everything so colourful. It’s an intense-sounding record – a hot record. It was so refreshing to have that blast of energy from Dave – it’s like he framed our pictures.” 

Away from the confines of the cottage, the Wolters also opened the door to a collaboration with storied composer Fiona Brice, whose credits include John Grant, Lost Horizons and Placebo. A “big bucket-list tick” for Jack and Lily, the team-up results in glorious arrangements across the album.

On its release, Until the Tide Creeps In received rave reviews from Q, DIY, The Line of Best Fit and many others, while finding champions in Steve Lamacq and Shaun Keaveny. Meanwhile, extensive touring saw the Isles develop into a formidable live force, with ‘Gnarbone’ emerging as a sure-fire show-stopper. 

Now, the Isles have 11 more show-stoppers to add to the mix. At the album’s heart, the band’s core traits have never been stronger: the bond between the Wolters, a sensitivity towards complex feelings, a desire to celebrate life in all its facets and an ambitious reach combine to create an album that feels utterly, emphatically present on every front.

Penelope Isles recently announced news of an extensive UK tour for November and December 2021. Tickets are available at https://www.penelopeisles.com.

Penelope Isles debut “Sailing Still”

Having recently announced news of an extensive UK tour this Autumn, Penelope Isles today share a captivating video for a brilliant new single, “Sailing Still”. The track is a first taste of the band’s much-anticipated second album due for release on Bella Union later this year.

Of the track Lily Wolter says: “I wrote the music for this song at my brother’s flat, on a really crappy electric piano, but always envisioned the whole thing as something widescreen, with a big sound to match. The lyrics took me a few months to finish, by which point the song had taken on many different meanings. Then I took it to band practice, where Jack and I wrote the end section together. It’s one of our favourite sounding songs on the record. We played around with pitch-shifting instruments to get it sonically sweet. Plus, it was the first time we ever heard strings with our music. That’s one tick off the bucket list.”

Of the video Jack Wolter adds: “Before the enforced break due to covid we spent pretty much all of 2019 driving ourselves around Europe and America having some incredible adventures as a band and it seems that everything since then has been falling apart. Writing and recording the new album was a huge part of the recovery process and making this film for Sailing Still I wanted Lily and I to get back on the road somehow, as travelling has been such a massive part of our band ever since we began. So I had this idea of filming Lily in a myriad of places and scenarios, both urban and rural, coastal and inland. Mountains and rivers, council flats and tunnels, cafes and bridges. We drove up and down the country for a week, sleeping in the van, and waking up at the crack of dawn to start filming again. Reconnecting as a ‘band’ again but also spending time together as brother and sister was special for filming this real heartbreaker of a song.”

Additionally, the band have compiled an interactive Google Earth map that shows the various filming locations across the UK. Click HERE to view the map.

Penelope Isles are centred around siblings Jack and Lily Wolter, originally from the Isle of Man, and for several years now based in Brighton. Their debut album Until the Tide Creeps In was produced by the band at the Bella Union studios in London and Brighton. They create dynamic, blissed-out moments soaked in fuzz-noise waves – their songs fragile yet ferocious. Indie-psych currents and lustrous melodies blend with the siblings’ voices. To support the release they played over 150 shows all over the world, including 100 shows in 2019 alone and three tours in the USA. They’ve hit the road with The Flaming Lips and The Magic Numbers. Loved by fans, DJs, tour-mates and writers, their debut marked them out as one of the most exciting UK bands of the last few years. The band recently completed work on their second album – more news on that very soon.

Penelope Isles recently announced news of an extensive UK tour for November and December 2021. Tickets are available HERE.

Penelope Isles announce Winter tour

Currently in the studio working on their much-anticipated second album, Bella Union’s Penelope Isles have announced news of an extensive UK tour for November and December 2021 and shared a video to share the good news. Tickets are available at https://www.penelopeisles.com

Penelope Isles are centred around siblings Jack and Lily Wolter, originally from the Isle of Man, and for several years now based in Brighton. Their debut album Until the Tide Creeps In was produced by the band at the Bella Union studios in London and Brighton. They create dynamic blissed-out moments soaked in fuzz-noise waves – their songs fragile yet ferocious. Indie-psych currents and lustrous melodies blend with the siblings’ voices. To support the release they played over 150 shows all over the world, including 100 shows in 2019 alone and three tours in the USA. They’ve hit the road with The Flaming Lips and The Magic Numbers. Loved by fans, DJs, tour-mates and writers, their debut marks them out as one of the most exciting UK bands of the last few years. The band have recently been working on new music – more news on that very soon.

“There’s a kind of surf’s up fuzz over this quartet’s debut, a hazy harmonised beachiness that nods to Pavement, Girls and Tame Impala while suggesting something pleasingly singular. It’s the sound of a band enjoying the discovery of their sound.” Q ­- 4 Stars ****

“An undeniably lovely melange of dreampop and gentle psychedelia.” Sunday Times

“Timeless and special. Unashamedly bight melodies that throw you into the sunlight and make the darker moments even more striking” DIY ­- 4 Stars ****

“This self­-produced debut is sublime from top to toe, blissful boy ­girl harmonies wrapping their way around layered fuzz-­rock guitars and trippy tales.” Shindig ­- 4 Stars ****

“A knockout album with instant charm. When Penelope Isles hit the spot they hit it with a dazzled burst of refracted light.” Metro

“Whatever the framing, each track on their debut is about the song; it’s melody. Recent single Chlorine steps into early Tame Impala terrain, but its the moody, woozy tune which hits home. The siblings take turns singing lead, each as assured as the other.” MOJO

“An impressive debut. The band’s primary line is in stately, swirling slow-­burners while a handful of intense lo-­fi pop nuggets keeps things moving.” Uncut

“A swimmingly ­fine debut, whose mixture of indie -kid smarts and hazy psyche­-pop feels like a homegrown companion to Beach House.” PROG

“A lush and dreamy debut. Each visit uncovers something new.” DORK ­- 4 Stars ****

“Gloriously fuzzed up. An accomplished debut with moments of real beauty.” The Sun ­- 4 Stars ****

Until The Tide Creeps In is a generous, lively dream­pop offering. They soar like Spiritualized; they shimmer like Mazzy Star. On seven ­minute epic Gnarbone they go motorik, using found sound like Public Service Broadcasting.” London In Stereo

“A heady wonder of dream pop. Timeless, shimmering guitars and lush, sun­-drenched harmonies. An accomplished and self-­assured collection of songs.” Long Live Vinyl ­ – 8/10

Lost Horizons & Penelope Isles share “Halcyon” visuals

Lost Horizons today share a video for their track “Halcyon”, taken from their recently released album In Quiet Moments, which features frequent collaborators and close pals Penelope Isles. Speaking of the track, Simon Raymonde states…

“Loved Penelope Isles from the first time I heard them and loved them even more from the first time I saw them! I released their debut album on Bella Union and my wife Abbey and I also manage them. Jack and Lily  were the first people I asked to be on the album. Penelope Isles supported Lost Horizons on our first UK headline tour and set the bar incredibly high every night. 

The music for Halcyon started with Richie and I improvising in our studio in Brighton but when I brought that track back home, I ditched the music and just started again from scratch. I had just bought an old Tokai guitar in a local guitar shop that reminded me of the guitar Alan Curtis had used in Richie’s old band DIF JUZ and the second I plugged it in for the first time, and played along with Richie’s lonely drum track, the notes just fell out of me. Within an hour or two the track was done and I sent it over to Jack. I adore what he’s done and love that Lily also sings on the song in that glorious section at the end. It was always going to start the album and now I am thrilled it is being released as a single.”

Jack Wolter of Penelope Isles, who also made the dreamy visuals that accompany the track had the below to say…

“The video for Halcyon is made up of footage I collected during my early twenties, whilst studying and living in Cornwall. I felt the need to film a lot in this period of my life. When I started writing the lyrics and getting into what this song was going to be about, I found myself reflecting back to the importance of this time, the people I shared it with and the days we lived. Beautiful relationships providing unworn conversations although all tangled up in warped spaces and darker moments. The song and video are a reflection into the past and how certain times stay with you forever.”

In other exciting news, Lost Horizons will perform a live show, with special guests, at the Scala in the Autumn of 2021. Tickets for the show, which will feature an array of the album’s collaborators, are on sale now. See HERE for more details.

Penelope Isles announce May 2021 tour

Currently in the studio putting the finishing touches to their much-anticipated second album, Bella Union’s Penelope Isles have announced news of a socially distanced UK tour for May 2021, playing a run of dates in venues operating at a reduced capacity. The tour begins in Bristol and includes 2 x performances at London’s Moth Club and appearances in Liverpool and Leeds before ending with a sequence of dates in the town of Lewes just a few miles from the band’s native Brighton.