Ezra Furman’s ‘Sex Education OST’ is out now

Following the success of last year’s “Twelve Nudes”, Ezra Furman returns with Sex Education OST, songs from season 1 and 2 of the hit Netflix TV show. The 19-track LP is out today on Bella Union and is available to order here.

When the makers of the hit Netflix series Sex Education told Ezra Furman, “We want you to be the Simon & Garfunkel to our The Graduate”, they clearly recognised a kindred spirit. Who better to articulate all that awkwardness and alienation than Furman?

Sex Education is about Otis Milburn, a socially awkward high school student who lives with his sex therapist mother, Jean. In season 1 Otis and his friend Maeve Wiley set-up a sex clinic at school to capitalise on his intuitive talent for sex advice. In season 2, as a late bloomer Otis must master his newly discovered sexual urges in order to progress with his girlfriend Ola whilst also dealing with his now strained relationship with Maeve. Meanwhile, Moordale Secondary is in the throes of a Chlamydia outbreak, highlighting the need for better sex education at the school and new kids come to town who will challenge the status quo.

The Sex Education soundtrack gathers the original songs that Furman composed for the first series and the brand new second series, whilst adding tracks featured on the show that can be found on prior Furman albums such as “Perpetual Motion People” and “Transangelic Exodus”. Lining up alongside older cover versions of LCD Soundsystem’s ‘ I Can Change’ and Melanie’s ‘The Good Book’ is a new rendition of ‘Devil Or Angel’, The Clovers’ doo-wop jewel from 1956. It all adds up to a bumper 19-track set of Furman’s trademark enthusiastic emotional catharsis.

“Making music for a TV show was a new experience for me,” she says. “As a fan of many a high school comedy, for example The Breakfast Club and 10 Things I Hate About You, I knew how fun the music can be, and also how emotional. I wanted to rise to the challenge.”

Furman and her band recorded the new songs in between sessions for a “loud punk record,” namely the exhilarating “Twelve Nudes”, released by Bella Union in 2019. “I decided I’d use the Sex Education project as a place to put my tenderness, my sadness and longing,” she says. “The soft teenage feelings that every adult knows continue long after high school ends.”

For the first series, Furman was supplied with an extensive description of the show and the episode scripts. For the second series, she says, “They trusted us completely. They were like, ‘you know what to do’. I try to imagine what’s going to be on screen as a jumping-off point, but they don’t need songs that fit, they need songs of a high quality, that come from a real place. That’s why they wanted me, I guess. Also, I guess they noticed an exuberant vulnerability. I lay all my feelings out there.”

Given Furman’s personal experience at high school, having been closeted with regard to gender and sexuality, she wasn’t method-acting for a second. The new songs allowed her to reconnect to that past, but also the present, as teenager and adult. ‘Amateur’, for example. “I’m an amateur in my heart, and the show is about amateurs,” she says. “About bodies not yet fully formed, and hearts not yet hardened to the world.”

‘Every Feeling’ was inspired by a bad bout of depression: “I was so bored of having these feelings year after year, I just wanted to feel them all and get them over with.” ‘Care’ is afflicted by, “the noise of celebrity culture and politics.” Why can’t we just have, as Furman sings, “a world of love and care”? “That’s the dream I hang on to,” she says.

Songwriting, Furman concludes, “is a way of keeping tabs on what I care most about, the purest stuff, the matters of the heart that don’t expire. It’s what matters to teenagers, and revisiting the teenage perspective has been oddly centering for me. It’s a reminder of what’s important, and the emotional dramas that persist through life.”

Ezra Furman announces Sex Education OST

Following the success of last year’s “Twelve Nudes”, Ezra Furman returns with Sex Education OST, songs from season 1 and 2 of the hit Netflix TV show. The 19-track LP will be released via Bella Union and is available to download and on DSPs from Friday, 24th January, with a physical release on CD and vinyl to follow on 10th April. The album is available to pre-order here. Furman has shared a first track titled “Every Feeling” from the soundtrack.

When the makers of the hit Netflix series Sex Education told Ezra Furman, “We want you to be the Simon & Garfunkel to our The Graduate”, they clearly recognised a kindred spirit. Who better to articulate all that awkwardness and alienation than Furman?

Sex Education is about Otis Milburn, a socially awkward high school student who lives with his sex therapist mother, Jean. In season 1 Otis and his friend Maeve Wiley set-up a sex clinic at school to capitalise on his intuitive talent for sex advice. In season 2, as a late bloomer Otis must master his newly discovered sexual urges in order to progress with his girlfriend Ola whilst also dealing with his now strained relationship with Maeve. Meanwhile, Moordale Secondary is in the throes of a Chlamydia outbreak, highlighting the need for better sex education at the school and new kids come to town who will challenge the status quo.

The Sex Education soundtrack gathers the original songs that Furman composed for the first series and the brand new second series, whilst adding tracks featured on the show that can be found on prior Furman albums such as “Perpetual Motion People” and “Transangelic Exodus”. Lining up alongside older cover versions of LCD Soundsystem’s ‘ I Can Change’ and Melanie’s ‘The Good Book’ is a new rendition of ‘Devil Or Angel’, The Clovers’ doo-wop jewel from 1956. It all adds up to a bumper 19-track set of Furman’s trademark enthusiastic emotional catharsis.

“Making music for a TV show was a new experience for me,” she says. “As a fan of many a high school comedy, for example The Breakfast Club and 10 Things I Hate About You, I knew how fun the music can be, and also how emotional. I wanted to rise to the challenge.”

Furman and her band recorded the new songs in between sessions for a “loud punk record,” namely the exhilarating “Twelve Nudes”, released by Bella Union in 2019. “I decided I’d use the Sex Education project as a place to put my tenderness, my sadness and longing,” she says. “The soft teenage feelings that every adult knows continue long after high school ends.”

For the first series, Furman was supplied with an extensive description of the show and the episode scripts. For the second series, she says, “They trusted us completely. They were like, ‘you know what to do’. I try to imagine what’s going to be on screen as a jumping-off point, but they don’t need songs that fit, they need songs of a high quality, that come from a real place. That’s why they wanted me, I guess. Also, I guess they noticed an exuberant vulnerability. I lay all my feelings out there.”

Given Furman’s personal experience at high school, having been closeted with regard to gender and sexuality, she wasn’t method-acting for a second. The new songs allowed her to reconnect to that past, but also the present, as teenager and adult. ‘Amateur’, for example. “I’m an amateur in my heart, and the show is about amateurs,” she says. “About bodies not yet fully formed, and hearts not yet hardened to the world.”

‘Every Feeling’ was inspired by a bad bout of depression: “I was so bored of having these feelings year after year, I just wanted to feel them all and get them over with.” ‘Care’ is afflicted by, “the noise of celebrity culture and politics.” Why can’t we just have, as Furman sings, “a world of love and care”? “That’s the dream I hang on to,” she says.

Songwriting, Furman concludes, “is a way of keeping tabs on what I care most about, the purest stuff, the matters of the heart that don’t expire. It’s what matters to teenagers, and revisiting the teenage perspective has been oddly centering for me. It’s a reminder of what’s important, and the emotional dramas that persist through life.”

Sex Education OST will be available to download and on DSPs from 24th January with a physical release on CD and vinyl to follow on 10th April.

Ezra Furman shares “Good Book”

Previously only available on limited vinyl, Ezra Furman has announced the digital release of his covers EP Songs By Others on 22nd February via Bella Union. The EP features a number of hand-picked cover songs including Melanie’s “Good Book”, also used on Netflix series, Sex Education, which Ezra has written the soundtrack for. Read Ezra’s thoughts on the song and EP, and listen to “Good Book” below: Ezra says of “Good Book”: “It’s a genius song. I had actually never heard a song that is about what that song is about: how an audience wants something from a performer and wants reassurance, like, “Tell us you love us with a book or a song or a poem because we need it.” And that was a time when we were putting out Perpetual Motion People, and we had really been pretty obscure. That was the first album of ours that came out where it felt like a lot of people were waiting for it to come out and talking about it and playing the lead single on the radio. So I was just thinking a lot about what can be emotional or tender or beautiful in the audience-performer relationship. That song is like, “Tell us you love us so we don’t feel alone,” and it seems like the best thing a song could do — to make someone not feel so alone.”

Speaking about his love of cover songs, Ezra says:

“A good song takes you far,” sang Jackson Browne on tour in the 70’s. It’s true, and very strange– how these little three-minute compositions crafted on a whim in a bedroom end up bringing us out on planes and highways, into bars and ballrooms and radio stations, pouring out our hearts and lungs for those who themselves were pulled out of their rooms and into the world by the power of song. Browne understood this: he himself was covering Danny O’Keefe’s perfect ode to the bizarre, bittersweet life of a traveling musician, and when I listen to it crammed in a van full of instruments speeding across rainy Germany, it hits hard.

I have always played other people’s songs, alone and with friends, at home and on the road. I know our audiences’ main interest is in our original songs, and for that I’m honored. But I can’t seem to stop playing covers. Every time we are preparing to go on tour I can’t help assembling the Boy-Friends and demanding that we learn a new cover song to play live. I listen to so much great music and just ache to be able to inhabit it more fully. I want to be Beck or Melanie or Jackie Wilson. So this record is me playing dress-up, with the help of my incredible band.

(Don’t miss that point– The Boy-Friends are an incredible band that can do anything, without whom my voice would not be in your earholes.)

Thanks for indulging us in these cover versions, pieced together from studio recordings, recordings made on tour in backstage rooms and hotels, and a live show in Austria. I’d like to point out that we’ve included a song from every decade since rock’n’roll has been a viable marketing category, the 1950’s through the 2010’s. You are encouraged to look up the original versions if you’ve never heard them. They blew my mind.”

– Ezra, December 2015