Modern Nature share How To Live? short film

Along with an announcement of new live dates in December and March, including a performance at London’s Omeara, Modern Nature today present How To Live?, a short film conceptualized by Jack Cooper. It follows their debut album, How To Live, which is out now on Bella Union. Cooper describes the film below:

“We recorded How To Live in July 2018. I’d spent the previous few months fleshing out my idea for the record, writing the songs and then Will and I built it all up in the spring. When we started tracking, we asked our friend James Sharp to come along and film us recording. I suppose there were some delusions of grandeur and a vague intention to make some kind of documentary that might help explain to people what we were aiming at. When we finished and time passed, the footage went on the back burner because we thought the album really spoke for itself. This short film and the music that accompanies it is meant to be something of a companion piece to the record… it’s nice to look back and see a snapshot of a band that had only really existed for two weeks in July 2018, before it evolved into something else.”

The richness of the ideas in the songs on How To Live is matched by the resonance of the music. The compositions of Cooper and Will Young (Beak>) gain skin and muscle through the thoughtful cello of Rupert Gillett, the insistent drumming of Aaron Neveu (Woods), and the expressive saxophone ofJeff Tobias (Sunwatchers). 

Catch Modern Nature live this year and next in Europe and North America.

Modern Nature share Nature video

Following rave reviews for their debut album, How To Live, out this week via Bella Union, and soon to head out on a headline UK tour, Modern Nature have shared a video for the track “Nature”. Of the video director Conan Robert says: “I’d been out filming Brighton Day of Dance earlier in the year, where Morris teams from all over the country come and spend the day dancing and drinking outside various pubs. It was more out of curiosity of this slightly bizarre British tradition than anything else. Jack Cooper saw some of the footage and thought it could be a great accompaniment to one of the tracks from the album. I cut the Morris footage and then independently cut the landscape footage before compositing the two. It was more an experiment in how the two images may or may not work together, exploring the synergy of the dancers movements alongside the shapes of nature.” 

Critical acclaim for How To Live, out now on Bella Union:

“There’s a real ambition to Modern Nature’s debut album. Pastoral prog and horizon–chasing Krautrock push onwards, while organ drone and saxophone add to the exploratory mood.”

Q – 4 stars ****

“An open and expansive project, manifested in a sound that lashes woody, folky textures to an insistent motorik pulse.” Uncut ­– 8/10

“A creative evolution from Cooper’s previous music, with a quiet new clarity and purpose at play.” MOJO – 4 stars ****

“Jack Cooper has struck gold with his latest band, finding the missing link between Fairport Convention and Kraftwerk… A quietly atmospheric, transporting collection.” The Times – 4 stars ****

“Combining pulsing motorik beats with textured, pastoral folk, Modern Nature weave their compelling magic… This is a debut to savour.” The Sun – 4 stars ****

“An album that takes the listener from a tense urban first half to a more restful rural ending… They are at their best on ‘Footsteps’, a fabulous blend of vocals, motorik drums and sax.” Sunday Times

“Lovely tunes… Krautrock–ishly propulsive with the bucolic qualities of The Beatles’ Mother Nature’s Son and elsewhere recalling the otherworldly pop of Talk Talk.” Mail On Sunday – 4 stars ****

“On their smart, subdued debut, Jack Cooper and Will Young prize delicacy over punchy pop melodies, offsetting soft vocals with dissonant brass and background buzz.” The Guardian

“Blending pastoral psyche–folk with urban drones, burbling motorik melodies, and some mellow jazz skronk, the resulting late–night mix is laser–targeted for those who have Talk Talk, the Notwist and Yo La Tengo forever playlisted in their hearts… A confident, considered but above all gorgeous debut.” Record Collector – 4 stars ****

“Taking their cues from the tender falsetto of Nick Drake, the free-form rhythms of Alice Coltrane and the rattling guitars of Radiohead, Modern Nature’s debut is a sprawling journey through an imagined natural landscape.” The Observer 

“An endearing debut… Modern Nature feel like a long–lost cousin of Talk Talk or Wooden Shjips, as they combine simple guitars with motorik beats, soft synth pads and saxophone improvisations… Jack Cooper’s understated vocals only add to the album’s blissful allure… A compelling listen.” DIY – 4 stars ****

“Planted somewhere between Talk Talk and Tuung, the spacious arrangements, hushed vocals and dashes of saxophone and cello make their debut feel like a breath of fresh air.” Electronic Sound

“Jack Cooper and Will Young’s compositions don’t kick out the jams, they hypnotically stir them as a fortune teller would a cup of tea.” Shindig – 4 stars ****

“Takes the listener from an urban environment to rural escapism, the ten tracks here weave together pastoral ballads with gently looped guitars, Krautrock and atmospheric electronica.” Loud & Quiet

Happy Release Day Modern Nature

Out today on Bella Union is the outstanding debut album from Modern Nature, featuring members of Ultimate Painting, Woods, Beak> and Sunwatchers.

The city and the country both have distinct, vibrant energies – but there’s something happening in between, too. As factories give way to fields, and highways drift into gravelly roads, the friction can be palpable, the aura electric.

The lines between city and country were on Jack Cooper and Will Young’s minds when they named their new band Modern Nature. They took the phrase from the diaries of filmmaker Derek Jarman, written on the coast of Kent in his Dungeness cottage. Visiting Jarman’s home, Cooper was struck by what he calls a “weird mix of urban and rural” – such as the way a nuclear power station sits next to open grasslands.

On Modern Nature’s debut album, How to Live, urban and rural cross into each other. Plaintive cello strains melt into motorik beats. Pastoral field recordings drift through looping guitar figures. Rising melodies shine with reflective saxophone accents, placing the record somewhere between the subtle mediations of Talk Talk, the stirring folk of Anne Briggs and the atmoshperic waves of Harmonia.

Throughout this continuous work, where no song ever really seems to end, there’s an indelible feeling of constant forward motion. It’s as if the band is laying down a railway and riding it simultaneously, and you can hear all kinds of landscapes passing by.

The richness of the ideas in these songs is matched by the resonance of the music. Cooper and Young’s organic compositions gain muscle through the thoughtful cello of Rupert Gillett, the insistent drumming of Aaron Neveu (of compatriot outfit Woods), and the expressive saxophone of Jeff Tobias, from Brooklyn jazz/rock juggernaut Sunwatchers. Each track on How to Live evolved as these creative forces joined the group, and it shows. The entire album courses with both precision and vitality, and is a work of surprising layers and limitless depths. Modern Nature may have been inspired by the line between urban and rural, but with How To Live they’ve gone a step further, and created their own complete world.

Critical acclaim for How To Live, out now on Bella Union:

“There’s a real ambition to Modern Nature’s debut album. Pastoral prog and horizon–chasing Krautrock push onwards, while organ drone and saxophone add to the exploratory mood.”

Q – 4 stars ****

“An open and expansive project, manifested in a sound that lashes woody, folky textures to an insistent motorik pulse.” Uncut ­– 8/10

“A creative evolution from Cooper’s previous music, with a quiet new clarity and purpose at play.” MOJO – 4 stars ****

“Jack Cooper has struck gold with his latest band, finding the missing link between Fairport Convention and Kraftwerk… A quietly atmospheric, transporting collection.” 

The Times – 4 stars ****

“Combining pulsing motorik beats with textured, pastoral folk, Modern Nature weave their compelling magic… This is a debut to savour.” The Sun – 4 stars ****

“An album that takes the listener from a tense urban first half to a more restful rural ending… They are at their best on ‘Footsteps’, a fabulous blend of vocals, motorik drums and sax.” Sunday Times

“Lovely tunes… Krautrock–ishly propulsive with the bucolic qualities of The Beatles’ Mother Nature’s Son and elsewhere recalling the otherworldly pop of Talk Talk.” Mail On Sunday – 4 stars ****

“On their smart, subdued debut, Jack Cooper and Will Young prize delicacy over punchy pop melodies, offsetting soft vocals with dissonant brass and background buzz.” The Guardian

“Blending pastoral psyche–folk with urban drones, burbling motorik melodies, and some mellow jazz skronk, the resulting late–night mix is laser–targeted for those who have Talk Talk, the Notwist and Yo La Tengo forever playlisted in their hearts… A confident, considered but above all gorgeous debut.” Record Collector – 4 stars ****

“Taking their cues from the tender falsetto of Nick Drake, the free-form rhythms of Alice Coltrane and the rattling guitars of Radiohead, Modern Nature’s debut is a sprawling journey through an imagined natural landscape.” The Observer 

“An endearing debut… Modern Nature feel like a long–lost cousin of Talk Talk or Wooden Shjips, as they combine simple guitars with motorik beats, soft synth pads and saxophone improvisations… Jack Cooper’s understated vocals only add to the album’s blissful allure… A compelling listen.” DIY – 4 stars ****

“Planted somewhere between Talk Talk and Tuung, the spacious arrangements, hushed vocals and dashes of saxophone and cello make their debut feel like a breath of fresh air.” Electronic Sound

“Jack Cooper and Will Young’s compositions don’t kick out the jams, they hypnotically stir them as a fortune teller would a cup of tea.” Shindig – 4 stars ****

“Takes the listener from an urban environment to rural escapism, the ten tracks here weave together pastoral ballads with gently looped guitars, Krautrock and atmospheric electronica.” Loud & Quiet

Modern Nature share ‘Séance’

With their much–anticipated debut album How To Live due for release 23rd August via Bella Union, and already the subject of excellent reviews in the likes of Q, MOJO and Uncut, Modern Nature have today shared a new track entitled “Séance” from the LP. Of the track Modern Nature frontman Jack Cooper says: “Séance closes out the first half of the album and the intention was for it to represent an anxiety episode that descends into a breakdown, hence the cut up tape edits and collapse. The themes in the words hopefully come across in the way we played the song… It’s taught and stuttering, Will’s organ melody moving against the rhythm is my favourite part of the album. The ‘take shelter’ line is lifted from the Jeff Nichols film of the same name… the perfect study of existential dread and impending doom. I think it’s a pretty topical song…”

“A creative evolution from Cooper’s previous music, with a quiet new clarity and purpose at play.” MOJO – 4 stars ****

“An open and expansive project, manifested in a sound that lashes woody, folky textures to an insistent motorik pulse.” Uncut ­– 8/10

“There’s a real ambition to Modern Nature’s debut album… Pastoral prog and horizon–chasing Krautrock push onwards, while organ drone and saxophone add to the exploratory mood.” Q – 4 stars ****

“Taking their cues from the tender falsetto of English folkman Nick Drake, the free-form rhythms of Alice Coltrane and the rattling guitars of Radiohead, Modern Nature’s debut EP is a sprawling journey through an imagined natural landscape.” The Observer (Ones to Watch)

You can catch Modern Nature live in the UK this summer and fall, including at the newly announced in-store appearances the weekend of release. Full dates can be found here.

Modern Nature share ‘Footsteps’

Having recently announced the release of their debut album How To Live, available 23rd August via Bella Union, along with news of a headline UK tour in September, Modern Nature have today shared a video for new single “Footsteps”. Of the video director Jake McGowan says: “The film takes place in a day, or is it a week or year or… the cyclical monotony of life and the strides we take to better our selves, our living conditions. Simultaneously seeking isolation and stimulation. Often out of body sometimes punctuated by your own internal film sequences and flashbacks. Sometimes we need a refresh, a cleanse, to bring us back to some kind of reality.” 

Modern Nature frontman Jack Cooper adds: “One of the threads through the album is a journey from the chaos of the city to the sanctuary of the country, so we wanted to condense that idea down over the course of Footsteps with the final scene being a baptism… washing everything away. There were a few films that felt very present when writing the album, so there’s some references to Mike Leigh’s Naked, Withnail and I, Tales From A Hard City, Emily Lloyd in Wish You Were Here and The Rise And Fall Of Reginald Perrin.”

Modern Nature’s music has been described as “compelling” by MOJO, “auspicious” by Uncut and “magical” by Shindig magazine, while in a recent One To Watch feature the Observer said: “Taking their cues from the tender falsetto of English folkman Nick Drake, the free-form rhythms of Alice Coltrane and the rattling guitars of Radiohead, Modern Nature’s debut EP is a sprawling journey through an imagined natural landscape.” 

Modern Nature will be performing at festivals including Port Eliot and Green Man over the summer, and recently announced news of a headline UK tour in September. Full dates here.

Modern Nature announce UK tour

Having recently announced the release of their debut album How To Live, available 23rd August via Bella Union, and shared a video to lead track “Peradam”, Modern Nature have today announced news of a UK headline tour in September. The band will also be performing at festivals including Port Eliot, Green Man and Freakender over the next few months.

The city and the country both have distinct, vibrant energies – but there’s something happening in between, too. As factories give way to fields, and highways drift into gravelly roads, the friction can be palpable, the aura electric.

The lines between city and country were on Jack Cooper and Will Young’s minds when they named their new band Modern Nature. They took the phrase from the diaries of filmmaker Derek Jarman, written on the coast of Kent in his Dungeness cottage. Visiting Jarman’s home, Cooper was struck by what he calls a “weird mix of urban and rural” – such as the way a nuclear power station sits next to open grasslands.

On Modern Nature’s debut album, How to Live, urban and rural cross into each other. Plaintive cello strains melt into motorik beats. Pastoral field recordings drift through looping guitar figures. Rising melodies shine with reflective saxophone accents, placing the record somewhere between the subtle mediations of Talk Talk, the stirring folk of Anne Briggs and the atmoshperic waves of Harmonia.

Throughout this continuous work, where no song ever really seems to end, there’s an indelible feeling of constant forward motion. It’s as if the band is laying down a railway and riding it simultaneously, and you can hear all kinds of landscapes passing by.

The endless feel of How to Live was inspired by Cooper’s experience making his 2017 solo album Sandgrown. It was the first time he made a record with a defined theme – a suite of songs about his hometown of Blackpool – and imposing a narrative framework turned out to be refreshingly liberating. “When I started thinking about a new project,” he recalls, “going back to making an album of unconnected songs seemed as strange as making a movie with completely unconnected scenes.”

As he began writing songs, Cooper was also tuning to the vibes of Earth Loop, an instrumental solo album by BEAK>’s Will Young (under the name Moon Gangs). For a long time, Cooper had hoped to work more with Young, who almost joined his first band, Mazes, and was in the touring version of his next group, Ultimate Painting. So he decided now was finally the time, as he puts it, “to make good on hundreds of late night ‘we should really do music together’ conversations.”

“Over the next few weeks I started sending Will songs, and we began meeting up, working on ideas and formulating the bigger picture as it were,” Cooper recalls. “Approaching the album as a film or play made complete sense, and from that came the idea to have a very defined narrative, reoccurring themes and chord progressions, field recordings and a set palette of instruments and sounds. Each song came with pages and pages of notes, musical references, films, books, places, words and feelings.”

The richness of the ideas in these songs is matched by the resonance of the music. Cooper and Young’s organic compositions gain muscle through the thoughtful cello of Rupert Gillett, the insistent drumming of Aaron Neveu (of compatriot outfit Woods), and the expressive saxophone of Jeff Tobias, from Brooklyn jazz/rock juggernaut Sunwatchers. Each track on How to Live evolved as these creative forces joined the group, and it shows. The entire album courses with both precision and vitality, and is a work of surprising layers and limitless depths. Modern Nature may have been inspired by the line between urban and rural, but with How To Live they’ve gone a step further, and created their own complete world.

How To Live will bereleased 23rd August via Bella Union.