Lost Horizons & Marissa Nadler share ‘Marie’

Lost Horizons – the project of Cocteau Twins’ Simon Raymonde & Richie Thomas of Dif Juz – released part one of its new album In Quiet Moments at the end of 2020 and is set to release part two, as well as the physical of the double album, on February 26th via Bella Union. Every track on the album features a guest vocalist, and today’s new single “Marie” features Marissa Nadler. The music video footage was created by Nadler while the editing and direction was done by Penelope Isles’ Jack Wolter.

Of the track, Lost Horizons said: “I don’t think there was ever a second I wasn’t going to find a song for Marissa to sing on the new lp. SO much cool stuff came out of our last collaborations on Ojalá, indeed I think we ended up recording four songs from the original idea of doing one! Marissa is a really great & generous collaborator as she really throws herself in deep, and commits to it fully. That is a rare and beautiful gift and Richie and I appreciate it enormously.  It was a beast of a track to mix I’ll be honest, and that had nothing to do with Marissa’s vocals, in fact they were a breeze to mix.  But the initial music that Richie and I improvised in our basement studio in Brighton was a bit messy and we didn’t use a click or anything to keep tempo so fixing anything later was a lost cause, but it is such a cool piece that i loved creating (i think i put 4 maybe 5 bass parts on with my old trusty Fender VI string bass guitar!) that even when it’s kinda falling apart during that instrumental section near the end, i still love it. It probably sounds like it took half an hour to mix but the truth is it took weeks of starting it, scrapping it, starting over, scrapping it, etc. And yes, i fully intend to ask Marissa to contribute to our next one too.”

Marissa Nadler adds: “It was a dream to collaborate with Simon and Ritchie for Lost Horizons again. Marie is an aquatic reverie about this title character entering different dimensions. Maybe we’re all feeling a little submerged, watching the time. This stream of consciousness song came from listening to the track that Simon sent, and birthed this hypnagogic hallucination of a story.” 

Early praise for Lost Horizons’ In Quiet Moments

“Second album from super-duo contains multitudes… With the knowing retro-etherealism of Every Beat That Passed (featuring Swedish vocalist Kavi Kwai) or Cordelia’s new age tides controlled by John Grant, In Quiet Moments opens out its own space to wander, a many-moods piece for complicated times.” MOJO – 4 stars ****

“Lost Horizons triumph on second album In Quiet Moments… There’s some textbook ethereal elegance but also much restless energy and joy… Guest vocalists include everyone from John Grant to Porridge Radio.” PROG

“Grand music, lushly orchestrated and beautifully arranged… a terrific sounding album and above all else a wonderful spotlight on amazing voices.” Brooklyn Vegan

“In Quiet Moments is a well-crafted set of lush, cinematic pop and rock with lyrics revolving around death and rebirth” KEXP

Marissa Nadler announces Autumn EU tour

Today, Marissa Nadler is pleased to announce her upcoming EU tour for September 2019. To celebrate the announcement Nadler has shared an entrancing TOUTPARTOUT session version of ‘Poison’, filmed and performed in the Pacification Room of Ghent City Hall. Watch the video now and see full dates listed below…

14th September – Leffinge – Leffingeleuren

17th September – Luzern – Neubad

18th September – Bologna – Locomotiv

19th September – Rome – Monk

20th September – Milan – Ohibò

21st September – Zagreb – Mochvara

22nd September – Budapest – A38

24th September – Bucharest – Control Club

27th September – Vienna – Waves

28th September – Leipzig – UT Connewitz

30th September – Copenhagen – Vega

1st October – Aarhus – TAPE

Critical acclaim for For My Crimes, out now on Bella Union:

“The Boston singer–songwriter is at her most powerful yet… With a new strength to her songs, Nadler’s force has never seemed greater.” Q Magazine – 4 Stars ****

“Brooding, intimate songs about long nights of the soul, but with a thoughtfulness and lightness of touch that makes the album a calm, reassuring listen.” The Times – 4 Stars ****

“Beautifully eerie… She’s caught the openness of spirit of her early albums and added a gorgeously gothic undertow – there’s a stately beauty to songs like I Can’t Listen To Gene Clark Anymore, or the devastating intimacy of Interlocking, that’s hard–won.” Uncut – 8/10

“A record that glimmers in all it’s tenebrous ambience… A master–class in Southern Gothic.” Record Collector – 4 Stars ****

“Variously evoking the Cowboy Junkies and 4AD’s 90’s country–goths Tarnation, For My Crimes’ brooding, melancholic songs burn with tangible ardour.” MOJO

“Her best album yet… The ability to detail the minutiae of relationships with detached but recognisable emotion has distinguished the Boston–based musician over her 15–year career.” Rock’n’Reel – 5 Stars *****

“Spellbinding… For My Crimes feels inherently like a chronicle of fading love, but it’s also a potent expression of femininity.” Long Live Vinyl – 8/10

“Her melodies are captivating and her craft comes through strongly… Despite its lyrical themes of romantic suffocation and nostalgia, For My Crimes is steady and unwavering.” The WIRE