Lost Horizons & Ural Thomas share ‘In Quiet Moments’

With their new album In Quiet Moments due for release 26th February via Bella Union, Lost Horizons today share a video for the title track of the LP which features Ural Thomas on vocals. Ural Thomas was born in Louisiana in 1939, learning to sing in church. The seventh of sixteen children, his family relocated to Portland, Oregon when he was a young child. Thomas became a professional singer as a young man in the 1950s, with over forty performances at the Apollo Theatre in Manhattan, New York. He worked with or opened for musicians such as Etta James, Otis Redding, James Brown and Stevie Wonder. Thomas moved back to Portland in 1968. After this not much is known, until the early 2010s when Scott Magee, a Portland-based soul DJ, learned via the owner of Mississippi Records that Thomas – whose early records he spun – still lived in Portland. Despite having weekly jam sessions in his home, a tradition started in the 1970s, Thomas seldom played live shows. Together, Thomas and Magee created Ural Thomas and the Pain, an eight-piece backing band for Thomas’s vocals. The group has released two full length albums: 2016’s self-titled release and 2018’s “The Right Time”. 

Of the track Ural Thomas says: “When I first heard the song, I thought it was such a wonderful thing, both open and calm, with that steady, insistent groove. The chords go from looming to embracing then back again, like a sad, friendly giant. It took a quiet moment to go over it in my mind and then we were off and running with the tune. At times I feel strong and one with the world.  At other times I feel tiny and solitary.  In a way they’re two parts of the same feeling. That sense of being closed in and defined by walls became more real just a short while after we worked on the song.  But we’re all those other things, too—connected, hopeful, with a long arc that will go beyond this time.” 

Simon Raymonde of Lost Horizons adds: “Sometimes you just have a clear vision for a song and then try as you might, it doesn’t quite hit the mark and other times, you’re not quite sure where it’s going and then all of sudden it’s like The Matrix and you’re buzzing! I’d been talking to Ural and his team since I heard about him earlier that year, and they were all working on a new Ural Thomas and The Pain album, but just as I finished the bass part on our piece, which Richie had started at a session in London, my inner voice was screaming “ASK URAL TO SING!” Scott and Brent who are his producers and write with Ural and in his band too, responded very positively to my enquiry and said Ural was into it, and it looked like they could do it all at their studio in Portland AND film him at the same time as they were making a documentary about him! I couldn’t believe my luck. After he was done with the first half of the song I asked if he could make the ending spoken-word in the style of Gil Scott-Heron and he did something ad-libbed which I loved. I then asked Wendi Rose who sings with Spiritualized to add some of her beautiful vocals and I think this took it all to the next level. Paul Gregory and Jonathan Wilson also played some delicious guitar parts which were the fairy dust on top!” 

In Quiet Moments features a stellar array of musical guests including John Grant, C Duncan, Marissa Nadler, Penelope Isles, Karen Peris (the innocence mission), Tim Smith (Midlake), Ren Harvieu and many more. The 16-track album will be released in two sections. The first half (8 tracks) was released digitally 4th December with the second half and physical release following on 26th February 2021. 

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá – the Spanish word for “hopefully” or “God willing.”

“These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music…. And the hope for another Lost Horizons record!” 

Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” 

On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.”

In Quiet Moments has its pockets of loss but – aligned to the concept of ‘hope’ – the album is more about rebirth than death. “I think it’s more joyous than Ojalá,” says Thomas. “But both albums have a great energy about them.” 

Those energy levels undulate across a dazzling array of moods and voices; as broad as the name Lost Horizons sounds. Take the first three tracks: the melting rapture of ‘Halcyon’ featuring Jack Wolter of Bella Union signings Penelope Isles, the simmering urban-soulful ‘I Woke Up With An Open Heart’ featuring Nubiya Brandon of The Hempolics and the quintessentially melancholy-delic ‘Grey Tower’ featuring a returning Tim Smith . 

Also returning from Ojalá are Gemma Dunleavy, Karen Peris (the innocence mission), Cameron Neal (Horse Thief) and Marissa Nadler. The last three are all Bella Union family members; likewise, John Grant (the lush, choral ‘Cordelia’, etched by David Rothon’s pedal steel and Fiona Brice’s elegant strings) and Ren Harvieu (a sultry ‘Unravelling In Slow Motion’), and new signing Laura Groves (the jazz-tinged ‘Blue Soul’), all making their Lost Horizons debuts. 

Dana Margolin of the hugely acclaimed Porridge Radio lends the rampant ‘One For Regret’’ her trademark bristling energy; at the other end of the spectrum, ‘Flutter’ features Rosie Blair (of former Bella Union signing Ballet School) adding exquisite blue notes to a stark palate of Thomas’ piano and Fiona Brice’s strings. Deploying his A&R acumen, Raymonde called on new Swedish discovery Kavi Kwai for the Cocteaus-evoking ‘Every Beat That Passed’ (“You can’t make music for as long as I have and drop all your influences and habits overnight,” says Raymonde). Also present are Lily Wolter (of Penelope Isles) under her solo pseudonym KookieLou, and C Duncan. A richer and more varied cast list would be very hard to find. 

“I think In Quiet Moments is more in the direction of where we’re going,” Thomas concludes. “People have retreated into their lives and, in those quiet moments, reflected on the world, how we fit in and who we trust. Maybe the next album will be about rebellion! But the road is long and winding. We just need to express ourselves in how we feel at the time.” 

Lost Horizons recently announced news of a London live performance at the Scala in Autumn 2021.

Lost Horizons release Part 1 of ‘In Quiet Moments’

Lost Horizons today share the first half of their double album ‘In Quiet Moments’ which features an array of stellar guests including John Grant, Porridge Radio, Kavi Kwai and more. The second half of the album as well as the full physical release is due February 26th via Bella Union.

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá – the Spanish word for “hopefully” or “God willing.” 

“These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music…. And the hope for another Lost Horizons record!”

Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” 

On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.”

In Quiet Moments has its pockets of loss but – aligned to the concept of ‘hope’ – the album is more about rebirth than death. “I think it’s more joyous than Ojalá,” says Thomas. “But both albums have a great energy about them.” 

Those energy levels undulate across a dazzling array of moods and voices; as broad as the name Lost Horizons sounds. Take the first three tracks: the melting rapture of ‘Halcyon’ featuring Jack Wolter of Bella Union signings Penelope Isles, the simmering urban-soulful ‘I Woke Up With An Open Heart’ featuring Nubiya Brandon of The Hempolics and the quintessentially melancholy-delic ‘Grey Tower’ featuring a returning Tim Smith.

Also returning from Ojalá are Gemma Dunleavy, Karen Peris (the innocence mission), Cameron Neal (Horse Thief) and Marissa Nadler. The last three are all Bella Union family members; likewise, John Grant (the lush, choral ‘Cordelia’, etched by David Rothon’s pedal steel and Fiona Brice’s elegant strings) and Ren Harvieu (a sultry ‘Unravelling In Slow Motion’), and new signing Laura Groves (the jazz-tinged ‘Blue Soul’), all making their Lost Horizons debuts. 

Dana Margolin of the hugely acclaimed Porridge Radio lends the rampant ‘One For Regret’’ her trademark bristling energy; at the other end of the spectrum, ‘Flutter’ features Rosie Blair (of former Bella Union signing Ballet School) adding exquisite blue notes to a stark palate of Thomas’ piano and Fiona Brice’s strings. Deploying his A&R acumen, Raymonde called on new Swedish discovery Kavi Kwai for the Cocteaus-evoking ‘Every Beat That Passed’ (“You can’t make music for as long as I have and drop all your influences and habits overnight,” says Raymonde). Also present are Lily Wolter (of Penelope Isles) under her solo pseudonym KookieLou, and C Duncan. A richer and more varied cast list would be very hard to find. 

“I think In Quiet Moments is more in the direction of where we’re going,” Thomas concludes. “People have retreated into their lives and, in those quiet moments, reflected on the world, how we fit in and who we trust. Maybe the next album will be about rebellion! But the road is long and winding. We just need to express ourselves in how we feel at the time.”

Lost Horizons share ‘Every Beat That Passed’

Having last week been 6Music’s Album Of The Day for the digital release of the first half of their upcoming double album In Quiet Moments, today Lost Horizons share a truly mesmerising video-of-the-year contender for new single ‘Every Beat That Passed’, which features Swedish singer and producer Kavi Kwai on lead vocals. The video, which is a visual feast and includes some incredible choreography, is again directed by Jonathan Caouette (Tarnation, Walk Away Renee) who created the hypnotic video for ‘Cordelia’ which features John Grant on lead vocals. Of the video Caouette says: Through the work I did on the videos, I began feeling that ‘Cordelia’ represented memory, loss, melancholy, and how inescapable impermanence is and that ‘Every Beat that Passed’ represented the antithesis of those ideas: the promise of resetting and renewal, and the hope that not all is lost, even under the hardest of circumstances. So, even though they have two distinct feelings they also work together as two different perspectives, yin and yang etc.”

Of the track Simon Raymonde of Lost Horizons says: “Richie came up with the piano part for this and it grabbed my attention immediately. That ‘waltz’ rhythm is pretty much in my DNA from my Cocteaus days, and the other instrumentation just kinda flowed out in a rush of emotion and memory. Discovering Kavi Kwai was akin to roaming the beaches of Bognor with a defective metal detector and discovering a whopping blue diamond. She is from Sweden and on hearing her music, I vowed to create a track especially for her. When I received her vocal back, I had that unusual experience of simultaneously laughing and crying at the same time. Laughing because I couldn’t believe how incredible it was, and crying because she turned our tune into a beautifully sad song which really moved me. Still does to be honest.”

Kavi Kwai adds: “The feeling that came to me when I first heard the instrumental version was that it felt very hopeful. Hope always has an undertone of something heavy or dark – otherwise we wouldn’t need it. When I wrote the melodies and the lyrics I stayed in that mode, I wanted to capture the combination of dark and light.” 

Lost Horizons have also shared videos for ‘I Woke Up With An Open Heart’ featuring The Hempolics, ‘Grey Tower’ featuring Tim Smith of Midlake and ‘One For Regret’ featuring Porridge Radio.

Lost Horizons + Porridge Radio collaborate

Lost Horizons – the project of Cocteau Twins’ Simon Raymonde & Richie Thomas of Dif Juz – will release a new double-album, In Quiet Moments, this winter and today share a new single from Part One of the record. Every track on the album features a guest vocalist and the new single, “One For Regret,” is in collaboration with Porridge Radio. Listen to the song and watch the trippy, Rachel Winton-directed video now.

Porridge Radio’s Dana Margolin on “One For Regret”: “The process of collaborating on ‘One For Regret’ was really fun for me. Simon sent me an instrumental to write lyrics and vocal melodies for, which isn’t a way I’ve written in the past and helped me think about songwriting in new ways. It was really cool to be a part of this, and I’m excited to share this song.”

Simon Raymonde adds: “I was clearing out my cupboards earlier this year and found the old drum machine and pedals I used in some of my early Cocteau Twins days and dusted them down and started messing about with them.  The sonics that came out of my improvisation felt like they represented both elements of my past and my future. I’d wanted to work with Dana since I heard Porridge Radio a few years ago and we met at The Great Escape here in Brighton and I thought she might like the vibe of this piece. Once Richie added real drums to it, it felt dark and exciting and Dana really got inside the skin of it all and captured those feelings I had with her intensity and words.”

In Quiet Moments features a stellar array of musical guests including John Grant, C Duncan, Marissa Nadler, Porridge Radio, Penelope Isles, Karen Peris (the innocence mission), Tim Smith (Midlake), Ren Harvieu and many more. The 16-track album will be released in two sections. The first half (8 tracks) will be released digitally 4th December with the second half and physical release following on 26th February 2021. 

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá – the Spanish word for “hopefully” or “God willing.” 

“These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music…. And the hope for another Lost Horizons record!” 

Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” 

On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.”

In Quiet Moments has its pockets of loss but – aligned to the concept of ‘hope’ – the album is more about rebirth than death. “I think it’s more joyous than Ojalá,” says Thomas. “But both albums have a great energy about them.” 

Those energy levels undulate across a dazzling array of moods and voices; as broad as the name Lost Horizons sounds. Take the first three tracks: the melting rapture of ‘Halcyon’ featuring Jack Wolter of Bella Union signings Penelope Isles, the simmering urban-soulful ‘I Woke Up With An Open Heart’ featuring Nubiya Brandon of The Hempolics and the quintessentially melancholy-delic ‘Grey Tower’ featuring a returning Tim Smith . 

Also returning from Ojalá are Gemma Dunleavy, Karen Peris (the innocence mission), Cameron Neal (Horse Thief) and Marissa Nadler. The last three are all Bella Union family members; likewise, John Grant (the lush, choral ‘Cordelia’, etched by David Rothon’s pedal steel and Fiona Brice’s elegant strings) and Ren Harvieu (a sultry ‘Unravelling In Slow Motion’), and new signing Laura Groves (the jazz-tinged ‘Blue Soul’), all making their Lost Horizons debuts. 

Dana Margolin of the hugely acclaimed Porridge Radio lends the rampant ‘One For Regret’’ her trademark bristling energy; at the other end of the spectrum, ‘Flutter’ features Rosie Blair (of former Bella Union signing Ballet School) adding exquisite blue notes to a stark palate of Thomas’ piano and Fiona Brice’s strings. Deploying his A&R acumen, Raymonde called on new Swedish discovery Kavi Kwai for the Cocteaus-evoking ‘Every Beat That Passed’ (“You can’t make music for as long as I have and drop all your influences and habits overnight,” says Raymonde). Also present are Lily Wolter (of Penelope Isles) under her solo pseudonym KookieLou, and C Duncan. A richer and more varied cast list would be very hard to find. 

“I think In Quiet Moments is more in the direction of where we’re going,” Thomas concludes. “People have retreated into their lives and, in those quiet moments, reflected on the world, how we fit in and who we trust. Maybe the next album will be about rebellion! But the road is long and winding. We just need to express ourselves in how we feel at the time.” 

Lost Horizons recently announced news of a London live performance at the Scala in Autumn 2021. Tickets available HERE.

Lost Horizons & Midlake’s Tim Smith pair up

Today marks the return of one of Bella Union’s best-loved artists as Lost Horizons share their new track “Grey Tower” which features former Midlake singer Tim Smith on guest vocals. Taken from their upcoming LP In Quiet Moments, due out 26th February, the video for “Grey Tower” can be viewed below.

Of the track Simon Raymonde of Lost Horizons says: I have always gravitated towards voices that are doused with but preferably drowning in melancholy. When I heard Tim sing with Midlake for the first time in 2004, I was excited both by his abilities as an author, to create strange visionary characters within their own world, inhabiting these songs, and for the unique quality in his voice to move even the most cold-hearted soul. That I managed to tease another song out of him (Smith also contributed “She Led Me Away” on our debut Ojalá) as he works away on his long-awaited debut album with his new band Harp, feels almost wrong, but I know that when you are working alone on your own music you sometimes cannot see the wood for the trees, and having a new project to work on, can seem like a good idea. A break from the rituals. When I began recording this piece I think the music SCREAMED “yearning for Tim Smith” literally as the notes were playing themselves. We are blessed to have one of the most affecting voices in modern music grace our wee tune.” 

Tim Smith adds: “Honestly, it almost didn’t happen.  It should’ve been a breeze to sing over since the original backing track Simon and Richie made seemed so well suited for me. However, the search for the right melody was a big mystery, eluding me for weeks, till I nearly threw in the towel. Music never seems to come easy to me, so this was not unfamiliar territory.  An idea did finally strike in the final hours, allowing everything to fall into place.” 

In other news, Lost Horizons have also shared an extraordinary montage video filled with striking imagery for the track “Cordelia” directed by visionary filmmaker Jonathan Caouette, who also created the video for John Grant’s classic “Glacier”. Caouette says of the film: For me, “Cordelia” is a meditation on a mesh of feelings I think we’re all reflecting on right now: memory, loss, the interconnectedness of love and sadness, and the inescapability of impermanence.” 

In Quiet Moments features a stellar array of musical guests including John Grant, C Duncan, Marissa Nadler, Porridge Radio, Penelope Isles, Karen Peris (the innocence mission), Tim Smith (Midlake), Ren Harvieu and many more. The 16-track album will be released in two sections. The first half (8 tracks) will be released digitally 4th December with the second half and physical release following on 26th February 2021. 

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá – the Spanish word for “hopefully” or “God willing.” 

“These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music…. And the hope for another Lost Horizons record!” 

Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” 

On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.”

In Quiet Moments has its pockets of loss but – aligned to the concept of ‘hope’ – the album is more about rebirth than death. “I think it’s more joyous than Ojalá,” says Thomas. “But both albums have a great energy about them.” 

Those energy levels undulate across a dazzling array of moods and voices; as broad as the name Lost Horizons sounds. Take the first three tracks: the melting rapture of ‘Halcyon’ featuring Jack Wolter of Bella Union signings Penelope Isles, the simmering urban-soulful ‘I Woke Up With An Open Heart’ featuring Nubiya Brandon of The Hempolics and the quintessentially melancholy-delic ‘Grey Tower’ featuring a returning Tim Smith . 

Also returning from Ojalá are Gemma Dunleavy, Karen Peris (the innocence mission), Cameron Neal (Horse Thief) and Marissa Nadler. The last three are all Bella Union family members; likewise, John Grant (the lush, choral ‘Cordelia’, etched by David Rothon’s pedal steel and Fiona Brice’s elegant strings) and Ren Harvieu (a sultry ‘Unravelling In Slow Motion’), and new signing Laura Groves (the jazz-tinged ‘Blue Soul’), all making their Lost Horizons debuts. 

Dana Margolin of the hugely acclaimed Porridge Radio lends the rampant ‘One For Regret’’ her trademark bristling energy; at the other end of the spectrum, ‘Flutter’ features Rosie Blair (of former Bella Union signing Ballet School) adding exquisite blue notes to a stark palate of Thomas’ piano and Fiona Brice’s strings. Deploying his A&R acumen, Raymonde called on new Swedish discovery Kavi Kwai for the Cocteaus-evoking ‘Every Beat That Passed’ (“You can’t make music for as long as I have and drop all your influences and habits overnight,” says Raymonde). Also present are Lily Wolter (of Penelope Isles) under her solo pseudonym KookieLou, and C Duncan. A richer and more varied cast list would be very hard to find. 

“I think In Quiet Moments is more in the direction of where we’re going,” Thomas concludes. “People have retreated into their lives and, in those quiet moments, reflected on the world, how we fit in and who we trust. Maybe the next album will be about rebellion! But the road is long and winding. We just need to express ourselves in how we feel at the time.” 

Lost Horizon have previously shared a video for track ‘I Woke Up With An Open Heart’ and recently announced news of a London live performance at the Scala in Autumn 2021. Tickets here.

Lost Horizons & John Grant share ‘Cordelia’

Last month Lost Horizons announced news of their new album, In Quiet Moments, released 26th February 2021 via Bella Union, and shared a video for lead track ‘I Woke Up With An Open Heart’. Today the band share a very different track from the LP, a poignant and dreamlike collaboration with John Grant titled “Cordelia.”

Of the track Simon Raymonde of Lost Horizons says: “This was one of the last tracks recorded for the album, though it came from the ashes of one the first improv sessions Richie and I had. Listening back to what we started with, I jettisoned the drums and most of the guitars but salvaged a small part of it and turned it into something brand new. Then I had the amazing David Rothon -who I had seen play live with Marissa Nadler a few nights before – and long-time collaborator Fiona Brice add pedal steel and strings respectively. Sitting quietly in the studio with our spacey slice of instrumental swirl, I closed my eyes to imagine a voice. While much of his recent work involves synths and crunchy beats, how he magnificently handles cinematic melancholy in his own work, and specifically in the Scott Walker Prom for the BBC, I knew my dear friend John Grant would nail this. I hoped he might enjoy the freedom of creating some melodic magic alongside elegant emotional lyrics. I sent him the piece, aware that he is always so incredibly busy, and tried to keep my expectations low, in case he had to turn it down, but to my utter and continuing delight he said yes and I’ll have to admit to shedding a tear or two when he sent me back the completed vocal a few weeks later.”

John Grant adds: “I really loved doing this track with Simon. I’d had the idea for this song for a long time and when he sent me the instrumental, I immediately thought: ‘CORDELIA’ – so happy to have found such a beautiful home for this track!” 

In other news, Lost Horizons last week shared a remix of the track “I Woke Up With An Open heart” by On-U Sound founder and dub legend Adrian Sherwood. The remix is accompanied by a video created by Brighton visual artist “innerstrings” who worked with Lost Horizons on all of their 2017/18 touring doing live oil-based projections. Listen/watch HERE

The band have also announced news of a London live show at the Scala just over a year from now. More info HERE.

In Quiet Moments features a stellar array of musical guests including John Grant, C Duncan, Marissa Nadler, Porridge Radio, Penelope Isles, Karen Peris (the innocence mission), Tim Smith (Midlake), Ren Harvieu and many more. The 16-track album will be released in two sections. The first half (8 tracks) will be released digitally 4th December with the second half and physical release following on 26th February 2021.

In 2017, Simon Raymonde and Richie Thomas had both abstained from making music for 20 years until they united as Lost Horizons and released a stunning debut album, Ojalá – the Spanish word for “hopefully” or “God willing.” 

“These days, we need hope more than ever, for a better world.” Thomas said at the time. “And this album has given me a lot of hope. To reconnect with music…. And the hope for another Lost Horizons record!” 

Thomas’ hopes had a mixed response. On the plus side, the new Lost Horizons album In Quiet Moments is an even stronger successor to Ojalá with another distinguished cast of guest singers and a handful of supporting instrumentalists embellishing the core duo’s gorgeously free-flowing and loose-limbed blueprint that one writer astutely labelled, “melancholy-delia.” 

On the minus side, any hope for a better world, as Earth continues to freefall toward political and social meltdown. Then, to make matters worse, as Raymonde and Thomas buckled down to create the improvised bedrock that Lost Horizons is built on, the former’s mother died. At least Raymonde had a way to channel his grief. “The way improvisation works,” he says, “it’s just what’s going on with your body at the time, to let it out.”

Raymonde (bass, guitar, keyboards, production) and Thomas (drums, occasional keys and guitar) forged ahead, creating 16 instrumental tracks to send to prospective guests. When he did, Raymonde suggested a guiding theme for their lyrics: “Death and rebirth. Of loved ones, of ideals, at an age when many artists that have inspired us are also dead, and the planet isn’t far behind. But I also said, ‘The most important part is to just do your own thing, and have fun.” 

And then Covid-19 hit. Half of In Quiet Moments’ lyrics were written after lockdown, but Raymonde saw a silver lining: people were slowing down and taking stock of their lives. Hearing a lyric written by veteran singer Ural Thomas, known as “Portland’s Pillar of Soul”, who fronts the title track, Raymonde singled out the phrase “in quiet moments” and made it the album title. “It just made sense,” he says. “This moment of contemplation in life is really beautiful. The title also went with the album cover, a photograph by Jacques-Henri Lartigue from the 1940s of a woman and dog on a beach, captured as if in flight.” 

Lost Horizons’ melancholy-delia also feels buoyed aloft by airy currents, informed in part by Raymonde and Thomas’ former respective bands: the legendary Cocteau Twins and Dif Juz. Their former bands were labelmates on 4AD in the mid-80s, which is how they first met. 

In Quiet Moments has its pockets of loss but – aligned to the concept of ‘hope’ – the album is more about rebirth than death. “I think it’s more joyous than Ojalá,” says Thomas. “But both albums have a great energy about them.” 

Those energy levels undulate across a dazzling array of moods and voices; as broad as the name Lost Horizons sounds. Take the first three tracks: the melting rapture of ‘Halcyon’ featuring Jack Wolter of Bella Union signings Penelope Isles, the simmering urban-soulful ‘I Woke Up With An Open Heart’ featuring Nubiya Brandon of The Hempolics and the quintessentially melancholy-delic ‘Grey Tower’ featuring a returning Tim Smith . 

Also returning from Ojalá are Gemma Dunleavy, Karen Peris (the innocence mission), Cameron Neal (Horse Thief) and Marissa Nadler. The last three are all Bella Union family members; likewise, John Grant (the lush, choral ‘Cordelia’, etched by David Rothon’s pedal steel and Fiona Brice’s elegant strings) and Ren Harvieu (a sultry ‘Unravelling In Slow Motion’), and new signing Laura Groves (the jazz-tinged ‘Blue Soul’), all making their Lost Horizons debuts. 

Dana Margolin of the hugely acclaimed Porridge Radio lends the rampant ‘One For Regret’’ her trademark bristling energy; at the other end of the spectrum, ‘Flutter’ features Rosie Blair (of former Bella Union signing Ballet School) adding exquisite blue notes to a stark palate of Thomas’ piano and Fiona Brice’s strings. Deploying his A&R acumen, Raymonde called on new Swedish discovery Kavi Kwai for the Cocteaus-evoking ‘Every Beat That Passed’ (“You can’t make music for as long as I have and drop all your influences and habits overnight,” says Raymonde). Also present are Lily Wolter (of Penelope Isles) under her solo pseudonym KookieLou, and C Duncan. A richer and more varied cast list would be very hard to find. 

“I think In Quiet Moments is more in the direction of where we’re going,” Thomas concludes. “People have retreated into their lives and, in those quiet moments, reflected on the world, how we fit in and who we trust. Maybe the next album will be about rebellion! But the road is long and winding. We just need to express ourselves in how we feel at the time.”