Liela Moss announces ‘Who The Power’

Liela Moss has announced news of her new solo album Who The Power, released 7th August via Bella Union and available to pre-order here. To mark the occasion Moss has shared a video for lead track “Atoms At Me”, directed and filmed by her neighbour, and IYEARA singer, Paul O’Keeffe. Of the video Moss says: “I am dancing with the walls and grooving in the recesses. Preparing – but hesitating – to reveal more of myself. The visual quality softly distorts and abstracts me, hinting at the way we keep old emotional patterns at bay; a bit too afraid to bring them to surface, to witness your needs and fears with clarity.”

“If you’re going to deconstruct the modern psyche,” says Liela Moss, “you might as well dance to it.” On her second solo album, Who the Power, Moss fulfils that remit with all the power its title calls for. After 2018’s deeply personal My Name Is Safe in Your Mouth – a debut solo album at times serene, at others stormy, on every front sumptuous – Moss entered a period of profound creative and personal self-reflection. When she emerged, she forged an album of questioning intensity and synth-loaded drama, with the expressive force in her voice refuelled by the urgent desire to interrogate the role of selfhood in fraught times. And, crucially, backed by the urgent grooves needed for the job.

As Moss says of her feelings during the build-up to the album: “To make music for the sake can sometimes feel like a narcissistic thing to do, and very reflective of our times. So much of being a musician and live performer is about projecting energy outward, which can be a beautiful and powerful thing. I experienced a good round of that over previous years, and now wanted to explore my fears of tipping the scales the other way: why should I continue to re-enact the narcissistic habits of our generation, desperate for validation, desperate for space, for ‘a platform’?”

With Moss’ new life as a parent at a time of ecological and political upheaval also very much in mind, she entered a period of “hardcore self-enquiry” that included a return to a 10-day stay at a silent Vipassana Meditation centre. Determined to avoid “content for content’s sake”, Moss’ intent was to cleanse her palate and anatomise her motivations to make music. “Fucking about with some demos to justify my existence,” she says, “was not an option.”

Duly, evidence of “fucking about” is notable only by its absence on album opener “Turn Your Back Around”, a yearning eco-lament set to banked synths over a propulsive beat. Or, as Moss puts it: “One filthy, upbeat, downhearted, close-your-eyes-and-dance-by-yourself pop song, offered as a parting gift to Mother Earth.” “Watching the Wolf” is another forthright song for today, its brooding, near-gothic swagger framing a righteous modern-day folk tale about wolves converging to unseat a toxic political pundit. A controlled rage shows in Moss’s voice, which grows more liberated still amid the simmering darkwave throb of “Atoms at Me”, where Moss issues a call to free the senses from the call to consume. 

That sense of freedom further shows in the album’s dynamic focus and passion. The near-ceremonial “Always Sliding” draws power from the idea of impermanence, from the call to “keep searching”. “The Individual” sets a Paradise Lost-ish narrative to a sulphurous bass-line and lunging synths, while the graceful synths and infectious melody of “White Feather” frame lyrics with teeth. “‘White Feather’ is a lament for the earth, sung with fingers crossed behind my back,” explains Moss. “Humanity is losing connection with something vital, and willingly letting itself slip into an abyss. This isn’t as simple as my reaction to the distressing reality of environmental damage; it is my thoughts on our lousy behaviour to one another.” 

Elsewhere, the moody elegance of “Battlefield” and bruised plea of “Nummah” rank among Moss’s finest vocal performances – tall praise. “Suako” offers pulsing synth-rock impetus to risk starting anew, while the blissful “Stolen Careful” ends the album on a palpable note of revitalisation, all risks rewarded as Moss emerges refreshed in her hunger to explore new, meaningful ways to engage with the world.

As with the widely acclaimed My Name Is Safe in Your Mouth, that engagement took place close to home. Working again with partner/producer Toby Butler, Moss wrote and recorded the album in their studio in Somerset, where they live with their child. The difference this time, she explains, was a desire “to create something more urgent”, which captured a sense of renewal while conveying a strong sense of despair at modern culture. “Perhaps that oscillating energy is best expressed musically via machines. We spent much of our time playing with vintage synths and drum machines, building a more visceral palette. I wanted the album to convey a depth of field, to be multi-layered yet feel simple, and to groove.”

Widescreen ambitions fulfilled, the result is another bold leap forwards for one of alt-rock’s most magnetic, exploratory voices. Over 14 years, Moss’s work with the Duke Spirit (on pause) ranged from brawling riff-rock to more cinematic ventures. Other gigs have included synth-rock recordings with Butler under the name Roman Remains and various collaborative ventures – with UNKLE, Nick Cave, Giorgio Moroder and Lost Horizons, as well as serving as muse for fashion icons Alexander McQueen and Phillip Lim, among others.

If My Name Is Safe in Your Mouth offered a haunting snapshot of Moss’ restlessly intuitive instincts, Who the Power repurposes and refuels those instincts, standing as fertile testament to the potential in Moss’ self-possessed yet receptive way of working. As she puts it, “My offering is only mine. It lacks ubiquity. Crucially, it doesn’t seek to rob from others. In actual fact it only has to feed three mouths, under the shelter they need, and provide enough time to nourish their minds so that they can in turn be in the productive service of others. It doesn’t need to win to succeed. Just to be understood for what it is, is enough.” Now that’s a beautiful and powerful thing, indeed.

Happy Release Day Liela Moss

Today at Bella Union we celebrate the release of Liela Moss’s covers EP ‘A Little Bit Of Rain’. The EP features cover versions of a number of rain–themed songs by the likes of Eurythmics, Ann Peebles, Scott Walker and The Cure.

Of the EP Liela says: “Maybe because I’m a bit neurotic about tidying, sorting and indexing things in my life, I thought that creating sets of cover versions would be a good thing to record this year. I began making lists and categorising things that are related in my mind but nobody else’s! I might do a collection about Weather, Elements, Utensils (watch out for that one) … stuff that is so everyday that we forget to stop and give it a kiss. Essentially I wanted a plaything for new ways of production. Making these covers has been a learning exercise and a way to pay homage to songs that haunted my childhood, including the title which waves a little hello to luscious Karen Dalton.”

Liela will be performing at The Great Escape inBrighton on Saturday 11th May at a night hosted by Bella Union with label mates Jambinai, Piroshka and Pom Poko amongst others. Further details will be announced soon.

Lielareleased her debut solo album My Name Is Safe in Your Mouth on Bella Union in November. Press quotes below:

“The Duke Spirit frontwoman swaps alt–rock for lush stateliness, with echoes of Kate Bush and Burt Bacharach, and lyrics to adore.” The Guardian – 4 Stars ****

“Evoking Nick Cave & The Bad Seeds at their most avidly orchestral, Moss delivers a sumptuous set of glorious ballads that emphasise her expressiveness as a vocalist.” Uncut – 8/10

“Sumptuous… Steeped in piano, strings, bass and reverb, it’s intimacy on a grand scale… Moss has dug very deep to make the best record of her life.” MOJO – 4 stars ****

“There’s a lushness to the arrangements that help showcase her strong voice, and an abundance of winning choruses… A solidly impressive album.” Q

“Her vocal unfurls mesmerically across the ten tracks… An expansive and elemental reawakening.” Long Live Vinyl – 8/10

“A vibrant, urgent, biting return, one that confounds expectations while feeling utterly true to Liela Moss’  blueprint.” CLASH

“One of rock’s great (if under appreciated) voices.” Rolling Stone Magazine

“Grandly orchestrated a la Massive Attack, with Moss’ voice simultaneously shuddering and sultry.” Classic Pop

“An arresting album… Musical drama spills from the speakers.” The Arts Desk – 4 stars ****

A Little Bit Of Rain is out now on Bella Union.

Liela Moss shares Eurythmics cover

Liela Moss today shares another track taken from her new 4–track EP of cover versions titled A Little Bit Of Rain due for release this Friday via Bella Union. Listen to Liela’s take on the Eurythmics’ ‘Here Comes The Rain Again’ now.

Of the EP Liela says: “Maybe because I’m a bit neurotic about tidying, sorting and indexing things in my life, I thought that creating sets of cover versions would be a good thing to record this year. I began making lists and categorising things that are related in my mind but nobody else’s! I might do a collection about Weather, Elements, Utensils (watch out for that one) … stuff that is so everyday that we forget to stop and give it a kiss. Essentially I wanted a plaything for new ways of production. Making these covers has been a learning exercise and a way to pay homage to songs that haunted my childhood, including the title which waves a little hello to luscious Karen Dalton.”

Liela Moss announces “A Little Bit Of Rain” EP

Having recently supported Villagers on their UK tour, Liela Moss has today announced news of a new 4–track EP of cover versions titled A Little Bit Of Rain due for release 29th March via Bella Union. The EP features cover versions of a number of rain–themed songs by the likes of Eurythmics, Ann Peebles, Scott Walker and The Cure. Liela has shared the track “I Can’t Stand The Rain” by Ann Peebles which you can listen to below…

Of the EP Liela says: “Maybe because I’m a bit neurotic about tidying, sorting and indexing things in my life, I thought that creating sets of cover versions would be a good thing to record this year. I began making lists and categorising things that are related in my mind but nobody else’s! I might do a collection about Weather, Elements, Utensils (watch out for that one) … stuff that is so everyday that we forget to stop and give it a kiss. Essentially I wanted a plaything for new ways of production. Making these covers has been a learning exercise and a way to pay homage to songs that haunted my childhood, including the title which waves a little hello to luscious Karen Dalton.”

Liela will be performing at The Great Escape inBrighton on Saturday 11th May at a night hosted by Bella Union with label mates Jambinai, Piroshka and Pom Poko amongst others. Further details will be announced soon.

Lielareleased her debut solo album My Name Is Safe in Your Mouth on Bella Union in November. Press quotes below:

“The Duke Spirit frontwoman swaps alt–rock for lush stateliness, with echoes of Kate Bush and Burt Bacharach, and lyrics to adore.” The Guardian – 4 Stars ****

“Evoking Nick Cave & The Bad Seeds at their most avidly orchestral, Moss delivers a sumptuous set of glorious ballads that emphasise her expressiveness as a vocalist.” Uncut – 8/10

“Sumptuous… Steeped in piano, strings, bass and reverb, it’s intimacy on a grand scale… Moss has dug very deep to make the best record of her life.” MOJO – 4 stars ****

“There’s a lushness to the arrangements that help showcase her strong voice, and an abundance of winning choruses… A solidly impressive album.” Q

“Her vocal unfurls mesmerically across the ten tracks… An expansive and elemental reawakening.” Long Live Vinyl – 8/10

“A vibrant, urgent, biting return, one that confounds expectations while feeling utterly true to Liela Moss’  blueprint.” CLASH

“One of rock’s great (if under appreciated) voices.” Rolling Stone Magazine

“Grandly orchestrated a la Massive Attack, with Moss’ voice simultaneously shuddering and sultry.” Classic Pop

“An arresting album… Musical drama spills from the speakers.” The Arts Desk – 4 stars ****

A Little Bit Of Rain will be released 29th March via Bella Union.