Happy Release Day A.A. Williams

Making her stage debut in April 2019 and selling out her first headline show at London’s prestigious Southbank Centre less than a year later, A.A. Williams has hit the ground running. Similarly, the acclaim for her performances and her music has been unanimous from the start. After one self-titled EP and the 10” vinyl collaboration Exit in Darkness with Japanese post-rockers MONO, the London-based singer-songwriter has today released a stunning debut album, Forever Blue, to much fanfare.

“Williams moves with ease between singer-songwriter territory and post-metal heaviness… Forever Blue is a remarkable accomplishment, confirming that Williams has already built a world of her own.” MOJO – 4 stars ****

“Revelatory… Minimalist singer-songwriter material blending with elements of classical, metal and post-rock to make a distinctive whole.” The Observer (One To Watch)

“Darkly beguiling… A.A. Williams’ songs maintain an eerie delicacy whether she chooses a setting that’s spare, ornate or pulverising… The shifts between moments of high drama and quiet tension point to her kinship with Chelsea Wolfe and PJ Harvey.” Uncut

“Stirring and evocative… We’re only halfway through 2020 but the chances of a more heartrending and fully formed debut emerging this year are practically zero.” Metal Hammer – 9/10

“Enduring the emotional abyss with breathtaking grace and grit on her debut album; A.A. Williams’ Forever Blue is a record that reveals more of its sublime poetry each time it’s listened to.” The Line Of Best Fit – 9/10

“A stunning eight track debut… Her vocals are stirring and emotive, while conveying raw emotion that perfectly encapsulates the anxieties and addictions of love and loss… just sublime.” Clash Magazine – 8/10

A.A. Williams debuts ‘Love And Pain’

With her much-anticipated debut album Forever Blue due for release next Friday 3rd July, and already the subject of many excellent reviews, A.A. Williams has shared another new track, “Love And Pain”, from the LP. Of the track Williams says: “Love And Pain explores the juxtaposition of positive and negative emotions, specifically the titular feelings that often go hand in hand. The protagonist acknowledges that their ongoing sadness is often of their own creation – they try to accept love from another, but soon come to see that this affection masks more bitter intentions. I tried to mimic this harsh realisation musically, the cautious, inquisitive opening and verses starkly interrupted by the crushing weight of the latter half of the song – it’s repetitive chords, layered vocals and swirling synths evoking all-enveloping and uncontrollable sorrow.”

“Williams moves with ease between singer-songwriter territory and post-metal heaviness… Forever Blue is a remarkable accomplishment, confirming that Williams has already built a world of her own.”

MOJO – 4 stars ****

“Revelatory… Minimalist singer-songwriter material blending with elements of classical, metal and post-rock to make a distinctive whole.” The Observer (One To Watch)

“Darkly beguiling… A.A. Williams’ songs maintain an eerie delicacy whether she chooses a setting that’s spare, ornate or pulverising… The shifts between moments of high drama and quiet tension point to her kinship with Chelsea Wolfe and PJ Harvey.” Uncut

“Stirring and evocative… We’re only halfway through 2020 but the chances of a more heartrending and fully formed debut emerging this year are practically zero.” Metal Hammer – 9/10

“Beautifully meditative… music that hypnotises… An impressive debut.” PROG

Making her stage debut in April 2019 and selling out her first headline show at London’s prestigious Southbank Centre less than a year later, A.A. Williams has hit the ground running. Similarly, the acclaim for her performances and her music has been unanimous from the start. After one self-titled EP and the 10” vinyl collaboration Exit in Darkness with Japanese post-rockers MONO, the London-based singer-songwriter has signed to Bella Union and made a stunning debut album, Forever Blue.

A rapturous blend of post-rock and post-classical, Forever Blue smoulders with uncoiling melodies and haunted atmospheres, shifting from serenity to explosive drama, often within the same song. Williams is a fantastic musician as well as songwriter, playing the guitar, cello and piano, and her voice has the controlled delivery of a seasoned chanteuse whilst still channelling the rawest of emotions.

Forever Blue is named after a song that didn’t make the album’s final cut, “but it still encapsulated these songs,” Williams explains. “It sounded timeless and in the right place.” The album’s threads encapsulate the anxieties and addiction of love and loss with haunting detail, though Williams admits the theme was shaped more by her subconscious than any grand plan. 

It’s testament to Williams’ skills, and those of husband and bassist Thomas Williams, that Forever Blue’s commanding sound was largely captured at the couple’s two-bedroom flat in North London. Drums by Geoff Holroyde were added at engineer Adrian Hall’s studio in South London, with guest vocals from Johannes Persson (Cult Of Luna), who adds his deep-trawling growl to ‘Fearless’ (“he sounds like Tectonic plates moving” Williams feels), Fredrik Kihlberg (Cult Of Luna) on ‘Glimmer’ and Tom Fleming (One True Pairing, ex-Wild Beasts) on ‘Dirt’. 

Williams can scarcely believe she’s in such exalted company, or that her band has toured with Cult Of Luna, Russian Circles, Explosions In The Sky, Nordic Giants and Sisters Of Mercy, whilst performing with MONO at their 10th anniversary show. It’s not because she doesn’t trust her own worth but that Williams only became a singer-songwriter by chance. 

Having taken music lessons from the age of six and been immersed in classical music, Williams’ life was forever changed when she discovered Deftones in her mid-teens, “and after them, all things heavy,” she recalls. “It was music that made me feel included, that tapped into me.” 

Yet it was only years later, when she found a guitar in the street with a note attached, “please take me, just needs work,” that Williams started playing guitar, and only started writing songs as a way of learning how to play. “I wrote in different styles to find a sound I was comfortable with,” she says. “Likewise, with singing. I’d never before thought of singing with a microphone in front of other people. It’s been quite a journey.”

That journey was thrown off course by the Coronavirus lockdown, but Williams’ response has been the ‘Songs From Isolation’ video project; solo renditions of songs suggested by her fans including Radiohead’s ‘Creep’, Gordon Lightfoot’s ‘If You Could Read My Mind’, Nine Inch Nails’ ‘Every Day Is Exactly The Same’ and Nick Cave’s ‘Into Your Arms’.

As ‘Songs From Isolation’ keeps posting intimate messages from a place of solitude, Forever Blue will spread the news of A.A. Williams’ extraordinary talent far and wide – and once lockdown is over, she and her band will be taking the next steps on her journey by touring the record. She’s already come so far but this story is only just beginning.

A.A. Williams shares ‘Melt’

With her much-anticipated debut album Forever Blue due for release 3rd July via Bella Union, and having recently shared videos for ‘All I Asked For (Was To End It All)’ and a stunning cover version of the Deftones track ‘Be Quiet And Drive’ from her ‘Songs From Isolation’ video project, today A.A. Williams shares a video to the track “Melt”, directed by Steve Turvey. Of the track Williams says: “Melt addresses an individual’s search for, acknowledgement of and acceptance of independence. After only believing in their own fragility they come to realise that they themselves were never dependant on others, others depended on them. Within this newfound strength they find comfort.”

Making her stage debut in April 2019 and selling out her first headline show at London’s prestigious Southbank Centre less than a year later, A.A. Williams has hit the ground running. Similarly, the acclaim for her performances and her music has been unanimous from the start. After one self-titled EP and the 10” vinyl collaboration Exit in Darkness with Japanese post-rockers MONO, the London-based singer-songwriter has signed to Bella Union and made a stunning debut album, Forever Blue.

A rapturous blend of post-rock and post-classical, Forever Blue smoulders with uncoiling melodies and haunted atmospheres, shifting from serenity to explosive drama, often within the same song. Williams is a fantastic musician as well as songwriter, playing the guitar, cello and piano, and her voice has the controlled delivery of a seasoned chanteuse whilst still channelling the rawest of emotions.

Forever Blue is named after a song that didn’t make the album’s final cut, “but it still encapsulated these songs,” Williams explains. “It sounded timeless and in the right place.” The album’s threads encapsulate the anxieties and addiction of love and loss with haunting detail, though Williams admits the theme was shaped more by her subconscious than any grand plan.

It’s testament to Williams’ skills, and those of husband and bassist Thomas Williams, thatForever Blue’s commanding sound was largely captured at the couple’s two-bedroom flat in North London. Drums by Geoff Holroyde were added at engineer Adrian Hall’s studio in South London, with guest vocals from Johannes Persson (Cult Of Luna), who adds his deep-trawling growl to ‘Fearless’ (“he sounds like Tectonic plates moving” Williams feels), Fredrik Kihlberg (Cult Of Luna) on ‘Glimmer’ and Tom Fleming (One True Pairing, ex-Wild Beasts) on ‘Dirt’.

Williams can scarcely believe she’s in such exalted company, or that her band has toured with Cult Of Luna, Russian Circles, Explosions In The Sky, Nordic Giants and Sisters Of Mercy, whilst performing with MONO at their 10th anniversary show. It’s not because she doesn’t trust her own worth but that Williams only became a singer-songwriter by chance.

Having taken music lessons from the age of six and been immersed in classical music, Williams’ life was forever changed when she discovered Deftones in her mid-teens, “and after them, all things heavy,” she recalls. “It was music that made me feel included, that tapped into me.”

Yet it was only years later, when she found a guitar in the street with a note attached, “please take me, just needs work,” that Williams started playing guitar, and only started writing songs as a way of learning how to play. “I wrote in different styles to find a sound I was comfortable with,” she says. “Likewise, with singing. I’d never before thought of singing with a microphone in front of other people. It’s been quite a journey.”

That journey was thrown off course by the Coronavirus lockdown, but Williams’ response has been the ‘Songs From Isolation’ video project; solo renditions of songs suggested by her fans including Radiohead’s ‘Creep’, Gordon Lightfoot’s ‘If You Could Read My Mind’, Nine Inch Nails’ ‘Every Day Is Exactly The Same’ and Nick Cave’s ‘Into Your Arms’.

As ‘Songs From Isolation’ keeps posting intimate messages from a place of solitude,Forever Blue will spread the news of A.A. Williams’ extraordinary talent far and wide – and once lockdown is over, she and her band will be taking the next steps on her journey by touring the record. She’s already come so far but this story is only just beginning. Forever Blue artwork below…

A.A. Williams covers Deftones

Having last week announced her debut album Forever Blue, released 3rd July via Bella Union, and shared a video for the track ‘All I Asked For (Was To End It All)’, today A.A. Williams shares a stunning cover version of the Deftones track “Be Quiet And Drive” as part of her ‘Songs From Isolation’ video project; solo renditions of songs suggested by her fans recorded from her home. Of the Deftones recording Williams says: “Right from the start there have been many requests to cover a Deftones song so I chose Be Quiet And Drive, a favourite track of mine from Around The Fur, one of the albums that first opened the door to heavier music for me as a teen.”

Making her stage debut in April 2019 and selling out her first headline show at London’s prestigious Southbank Centre less than a year later, A.A. Williams has hit the ground running. Similarly, the acclaim for her performances and her music has been unanimous from the start. After one self-titled EP and the 10” vinyl collaboration Exit in Darkness with Japanese post-rockers MONO, the London-based singer-songwriter has signed to Bella Union and made a stunning debut album, Forever Blue.

A rapturous blend of post-rock and post-classical, Forever Blue smoulders with uncoiling melodies and haunted atmospheres, shifting from serenity to explosive drama, often within the same song. Williams is a fantastic musician as well as songwriter, playing the guitar, cello and piano, and her voice has the controlled delivery of a seasoned chanteuse whilst still channelling the rawest of emotions.

Forever Blue is named after a song that didn’t make the album’s final cut, “but it still encapsulated these songs,” Williams explains. “It sounded timeless and in the right place.” The album’s threads encapsulate the anxieties and addiction of love and loss with haunting detail, though Williams admits the theme was shaped more by her subconscious than any grand plan.

“The lyrics come at the end, they fall into place, rhythmically, and link together,” she explains. “And then it’s my job to decipher what I’ve written! I want the words to get my point across but still let the listener map on their own experiences. I find it really therapeutic.”

Therapy is intrinsic to Williams’ approach: to not just express and unpick her feelings of longing and loss but to work through them. “Verbalising something, you feel a weight has been lifted,” she says. The transition can be mirrored in the dynamic shift from ‘quiet’ to ‘loud’, as on ‘Glimmer’ and arguably at its most euphoric on ‘Melt’. “There’s something very satisfying and elating about songs that have that drop in them, to stomp on the guitar pedal on and let it all out.”

Introducing… A.A. Williams

Bella Union are thrilled to announce the signing of A.A. Williams whose much-anticipated debut album will be released this summer via the label. For those new to the name check out “Exit In Darkness”, a track she recorded in collaboration with Japanese post-rock icons MONO in Autumn last year.

A.A. Williams came out of nowhere. An EP arrived on Holy Roar in January 2019, then a debut live show at the prestigious Roadburn Festival three months later confirmed what this first taste of music had suggested: this is a special artist. The woman in black: one arm aloft after the delicate yet decisive strum of a chord, a stillness in the room focused on the graceful soaring of a unique voice. To arrive so fully formed is a feat in itself; to take the audience’s breath away with such immediacy is something else entirely. 

A year that saw appearances with the likes of Amenra could have happily peaked with the packed tent that looked upon A.A. Williams when opening up the main stage at Arctangent Festival. This, however, was swiftly followed by tours with Russian Circles, The Sisters of Mercy and Cult of Luna. An artist who has been aligned with the likes of Chelsea Wolfe is also moulded by the experimentation of Radiohead and PJ Harvey. An invitation to appear at MONO’s 20th anniversary event in London last year is testament to the esteem in which this artist is held.

Of signing to Bella Union A.A. Williams says: “I’m extremely excited to announce that I’ve signed with Bella Union – it’s a dream come true to become a part of their roster, and I’m really looking forward to forging a path alongside such inspiring and critically acclaimed artists. Since my debut performance in 2019 so much has happened, I can’t wait to see what the future holds!”

A.A. Williams has a busy live schedule lined up over the next few months including support shows with The Sister Of Mercy and Nordic Giants. She will also be performing a special headline show at the Purcell Rooms in the Southbank Centre next Thursday 12th March accompanied by a string quartet. The fact that the show has already sold-out is testament to the word-of-mouth rise of this unique artist.