Emiliana Torrini & The Colorist Orchestra
Bella Union are thrilled to announce the signing of Emiliana Torrini & The Colorist Orchestra whose new album Racing the Storm is due out next year via the label.
There’s something almost magical about a great collaboration. When two artists are able to synchronize on an infinitesimal level, where each note and breath and strum aligns to create a perfect whole. The Colorist Orchestra know how to do this — in fact, they’ve made it their speciality. Since 2013, the Belgian duo, comprised of multi-instrumentalists and long-time friends Aarich Jespers and Kobe Proesmans, have made a career out of reimagining the discographies of a wide array of artists, using their background in pop, electronic, and world music to transform the songs. Recently, they have reconnected with acclaimed Icelandic singer-songwriter Emilina Torrini, with whom they first collaborated in 2018 on the album The Colorist Orchestra & Emiliana Torrini. This time, however, their project exceeded even their own expectations.
Next year Emiliana and The Colorist Orchestra will release Racing the Storm, a collaborative record that takes both artists to towering new heights. An album of all original material, it melds TCO’s classical chamber pop roots with the power and fragility of Emiliana’s understated songwriting.
The album’s first single, “Right Here”, is also one of its most immediately ear-grabbing tracks, an atmospheric and arresting pop song that gives a delightful taste of what’s to come. Commentating on the track Emiliana says: “Lyrically, the song comes from a daydream space, a safe haven from the everyday craziness of the world — and ends in the silence and serenity of the night. A love song, it speaks about what it’s like to endure and then finally thrive in a long-term relationship.”
Of the song’s inception Kobe adds: “It’s funny that this song, which was one of the first demos on the work table, became the song that moved last from the work table to the mixing table. So many versions of this song have been made, even a collaboration with the Japanese KODO in a search for the right angle. Time and again it remained an inspiring search but when this version, very close to the original, finally saw the light of day, a kind of enlightenment fell over us. Sometimes you have to travel far to know what’s in front of you.”