Penelope Isles share ‘Cut Your Hair’

Today the Brighton based quartet Penelope Isles, led by brother and sister Jack and Lily Wolter, have released “Cut Your Hair” from their forthcoming debut album Until the Tide Creeps In, due out this Friday on Bella Union.

Flood premiered the song, saying: “…the five-minute slow-burner is its own unique brand of noisy pop, lurching along before opening up into a heavy, guitar driven downpour.” You can listen to the beautiful and spacious, slow burning jam below, and pre-order the album HERE. Additionally, the band is happy to reveal details for their first ever North American tour, taking place this fall. Full list of the band’s dates below. Tickets will be available for purchase HERE starting Friday.

Jack Wolter had this to say about the song: “One of my favourite songs to play live. The slow sludgy groove always feels like a refreshing moment in the set. I wrote it in our old garage on the Isle Of Man whilst in uncertainty of whether or not to move away to pursue a career in music or not. I had a small studio set up and it started with the drum groove and the rest happened really quickly. I guess it’s a fictional tale and concept of what could have been me if I didn’t have a go at doing ‘the band thing’. A don’t give up on your dreams kinda thing.

Early praise for Penelope Isles…

“Timeless and special… Unashamedly bight melodies that throw you into the sunlight and make the darker moments even more striking.” DIY

“A knockout album with instant charm… When Penelope Isles hit the spot they hit it with a dazzled burst of refracted light.” Metro

Until The Tide… is a generous, lively dream–pop offering. They soar like Spiritualized; they shimmer like Mazzy Star. On seven–minute epic ‘Gnarbone’ they go motorik, using found sound like Public Service Broadcasting.” London In Stereo

“Sweltering guitars scorch the earth [on ‘Chlorine’]… While summery synths and keys frolic in spaces left between the drum line and spiraling vocals, the riff phrases communicate nearly as much warmth and meaning as the lyrics do.” – Stereogum

“There is a grandeur to their songs, big and swelling, ebbs and flows…The whole band is seriously talented, and…seriously rock, too.” – Brooklyn Vegan

“Choppy guitar and thumping percussion combine to create a markedly DIY aesthetic throughout the video’s three minutes and five seconds of scrapbooked collage visuals. Said DIY aesthetic, both sonically as well as visually, operates as a self-aware style, one that brings an element of dirty garage rock to the haze of dream-pop flushes.” – Paste

“…a dreamy but biting piece of guitar pop…soaring, pastoral, highly intelligent songwriting.” – Clash Music

Formed around the chemistry between siblings and dual songwriters Jack and Lily Wolter, Until the Tide Creeps In is an album deepened by shared experience. Born in Devon and raised on the Isle of Man, the Wolters’ bonds were strengthened by separation when Jack moved away to study art at university at 19, when Lily was 13. As he puts it, wryly, “By the time I moved home Lily was not so much of an annoying younger sister anymore and had grown up and started playing in bands and writing songs. We soon became very close. I had written some songs, so we started a band called Your Gold Teeth. We toured a bit and then Lily left for Brighton to study songwriting. A couple of years later I moved down and we started Penelope Isles together.” For every sibling band forged in rivalry, many others mount an unassailable genetic argument for keeping the music in the family. The latter is assuredly the case with Penelope Isles, a quartet completed by Jack Sowton and Becky Redford.

Crisp and woozy, blissful and biting, Until the Tide Creeps In is an album deepened by shared experience: experiences of, in Jack’s words, “leaving home, moving away, dealing with transitions in life and growing up. We are six years apart, so we had a different experience of some of this, but we share a similar inspiration when writing music.”

Until the Tide Creeps In is released tomorrow via Bella Union.

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