Exciting times for JOHN GRANT. Following across-the-board rave reviews for new album Grey Tickles, Black Pressure the LP entered the UK album charts at Number 5 with first week sales of almost 10,000 (UK) and over 30,000 across Europe. Meanwhile on the live front his biggest London show to date at Hammersmith Apollo on 12th November has already sold out.
Thursday 12th November – LONDON – Hammersmith Apollo **(SOLD-OUT!)**
Friday 13th November – BRIGHTON – Dome **(SOLD-OUT!)**
John Grant’s 2016 UK live schedule can be found further down the announcement.
Critical acclaim for Grey Tickles, Black Pressure, out now on Bella Union:
“With Grey Tickles, Black Pressure John Grant arrives at one perfect amalgam of his peculiar skills, securing a subtle musical balance between the lush orchestral pop of Queen Of Denmark and the flinty electropop of Pale Green Ghosts… A richly rewarding album.”
The Independent – 5 Stars ***** (Album of the Week)
“His most riveting album yet.”
Q – 4 Stars ****
“The confessional king’s funkiest and finest yet.”
Uncut – 8/10
“A magnificent album, enthralling in its complexity.”
MOJO – 4 Stars ****
“Grant has blossomed into arguably the most interesting and original songwriter in contemporary pop, blessed with the strongest melodic sensibility this side of Paul McCartney.”
The Telegraph – 4 Stars **** (Album of the Week)
“His ability to suddenly change mood and find tenderness and compassion amid the bleakness can knock you sideways… Grey Tickles, Black Pressure is variously agonising, hilarious, uplifting and moving: another bravura display from a unique songwriting talent.”
The Guardian – 4 Stars **** (Album Of The Week)
“Musically, he jumps just as easily between gorgeous soft-rock ballads (Global Warming, Geraldine) and funky electro-pop (the wonderful Disappointing). Result? Grey Tickles is a worthy follow-up to its illustrious predecessors.”
Sunday Times (Album Of The Week)
“Grant is still angry, still purging, but with a heightened sense of mischief, both musical and lyrical.”
The Observer – 4 Stars **** (Album Of The Week)
“Grey Tickles, Black Pressure is moving, funny, unnerving and angry; one of the albums of the year.”
NME – 4 Stars ****
“One of the best songwriters since Leonard Cohen – certainly the funniest.”
The Times – 4 Stars ****
“No one takes on the cosmic injustices of existence quite like John Grant, let alone with tunes.”
“The follow-up to 2013’s rapturously received Pale Green Ghosts finds his ability to write choruses the size of Mongolia undimmed… Even as he courts discomfort the range of emotion and texture is impressive.”
Evening Standard – 4 Stars ****
“The music is as winning as his lyrics, a mix of twisted disco, dramatic ballads, strutting glam funk and cinematic techno pop… For all their brutal honesty, Grant’s records are flooded with humanity.”
Metro – 4 Stars ****
“Grant has a fascinating combination of wisdom, world-weary cynicism and righteous anger, buoyed by his typically biting humour – a healthy mix of gleeful and sardonic.”
DIY – 4 Stars ****
“The sharp-witted, silken-voiced singer-songwriter has created a bunch of marvellous songs for Grey Tickles, Black Pressure that barely leave a genre unturned yet are all unmistakably his own.”
Time Out – 4 Stars ****
“A multi-hued sonic delight of swooping orchestrations, buzzing electro and velvet-lined balladry. Grant’s open-hearted, funny and angry insights show his questing and compassionate spirit operating at its unbounded best.”
The Mirror – 4 Stars ****
“An album that illuminates the darkness with rich reserves of art, heart and humour.”
The Independent On Sunday – 4 Stars ****
“Grant holds our attention with unexpected juxtapositions, charming harmonies and sly wit… Too much, in his hands, is never enough.”
Financial Times – 4 Stars ****
“The most powerful use of electronic sounds since Depeche Mode’s Black Celebration.”
Sunday Express – 4 Stars ****
“Bursts at the seams with humour, charisma and personality… What Grey Tickles, Black Pressure shows us is Grant is continuing to turn his hand to new stylistic pastures with ease.”
Loud & Quiet – 8/10
“Moments of sheer beauty and unbearable melancholy make it essential.”
Attitude – 8/10
“A bold hybrid of dancefloor fillers, lushly arranged orchestral pop, and poetic mediations… John Grant’s third effort sees the Iceland-based musician reach a new level of maturity.”
The Skinny – 4 Stars ****
John Grant 2016 UK/Ireland live schedule:
Tuesday 26th January – GLASGOW – Royal Concert Hall
Wednesday 27th January – BELFAST – Mandela Hall
Thursday 28th January – CORK – Opera House
Saturday 30th January – GALWAY – Seapoint
Monday 1st February – COVENTRY – Warwick Arts Centre
Wednesday 3rd February – CAMBRIDGE – Corn Exchange
Thursday 4th February – SOUTHAMPTON – O2 Guildhall
Friday 5th February – LEEDS – Town Hall
Sunday 7th February – LIVERPOOL – Philharmonic Hall
Monday 8th February – MANCHESTER – Albert Hall
Wednesday 10th February – GATESHEAD – Sage
Thursday 11th February – SHEFFIELD – Octagon Centre
Wednesday 15th June – LONDON – Royal Albert Hall
A full list of John’s global tour dates can be found on his website.
Grey Tickles, Black Pressure is out now on Bella Union.
HAPPY RELEASE DAY, BEACH HOUSE – THANK YOUR LUCKY STARS
What a wonderful gift! Thank you, Beach House.
02 She’s So Lovely
03 All Your Yeahs
04 One Thing
05 Common Girl
06 The Traveller
07 Elegy To The Void
08 Rough Song
09 Somewhere Tonight
Happy album release to Beach House’s Depression Cherry! Released into the world today!
One of our most long standing and magical bands, we at the label all love Beach House very dearly and are thrilled and blessed to be listening to another incredible Beach House record.
Some words from the band themselves below… now go listen to that record.
About Beach House:
Beach House is Victoria Legrand and Alex Scally. We have been a band for over a decade living and working in Baltimore, MD. Depression Cherry is our 5th full-length record. This record follows the release of our self-titled album in 2006, Devotion in 2008, Teen Dream in 2010 and Bloom in 2012. Depression Cherry was recorded at Studio in the Country in Bogalusa, Louisiana from November ’14 through January ’15. This time period crossed the anniversaries of both John Lennon’s and Roy Orbison’s death.
In general, this record shows a return to simplicity, with songs structured around a melody and a few instruments, with live drums playing a far lesser role. With the growing success of Teen Dream and Bloom, the larger stages and bigger rooms naturally drove us towards a louder, more aggressive place; a place farther from our natural tendencies. Here, we continue to let ourselves evolve while fully ignoring the commercial context in which we exist.
Here are a few quotes that we feel relate to the feeling and themes of this record:
— “I’ll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven’t a choice. I go. One caravan has stopped, another starts up. There are people I have yet to meet, others I’ll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes.” – from Kitchen by Banana Yoshimoto
— “We inhabit a world in which the future promises endless possibilities and the past lies irretrievably behind us. The arrow of time… is the medium of creativity in terms of which life can be understood.” – from The Arrow of Time by Peter Coveney and Roger Highfield
— “Mostly it is loss which teaches us about the worth of things.” – from Parerga and Paralipomena by Arthur Schopenhauer
— “Hark, now hear the sailors cry, feel the air and see the sky, let your soul and spirit fly, into the mystic……
….when the fog horn blows, i want to hear it, i don’t have to fear it” – from “Into the Mystic” by Van Morrison
Here is the track listing with selected lyrics.
1. Levitation – “The branches of the trees, they will hang lower now, you will grow too quick, then you will get over it”
2. Sparks – “It’s a gift, taken from the lips, you live again”
3. Space Song – “What makes this fragile world go ‘round, were you ever lost, was she ever found?”
4. Beyond Love – “They take the simple things inside you and put nightmares in your hands”
5. 10:37 – “ Here she comes, all parts of everything, stars in the motherhand”
6. PPP – “Did you see it coming, it happened so fast, the timing was perfect, water on glass…”
7. Wildflower – “What’s left you make something of it”
8. Bluebird – “I would not ever try to capture you”
9. Days of Candy – “I know it comes too soon, the universe is riding off with you…… i want to know you there, the universe is riding off with you.”
For us, Depression Cherry is a colour, a place, a feeling, an energy… that describes the place you arrive as you move through the endlessly varied trips of existence…
St John Sessions are proud to welcome Jamie Stewart’s Xiu Xiu into the church to perform Angelo Badalamenti and David Lynch’s unmistakeable score for Lynch’s utterly seminal Twin Peaks TV series. Like the show, their music is am alluring cross-talk of jarring signifiers – elusive flirtations with genre, dream logic, dark-lit explorations of sexual deviance – which, taken whole, form an uncomfortable sense, a penetrative, unspoken truth it seemed impossible to arrive at.
Commissioned to perform the work at ‘David Lynch: Between Two Worlds’, an exhibition and retrospective co-curated by Lynch in Brisbane this April, Xiu Xiu will then bring this very special, due-diligent but beautifully damaged audio-visual homage to a select set of European stages, as performed by Stewart (vocals, guitar, synth and noise), Shayna Dunkelman (vibraphone, drums, keyboard) and Angela Seo (synth, percussion, noise)
This is an entirely new interpretation of the music of Twin Peaks; one emphasising its chaos, drama, fear, noise and sidelong leering glances.
“The music of Twin Peaks is everything that we aspire to as musicians and is everything that we want to listen to as music fans. It is romantic, it is terrifying, it is beautiful, it is unnervingly sexual. The idea of holding the “purity” of the 1950s up to the cold light of a violent moon and exposing the skull beneath the frozen, worried smile has been a stunning influence on us. There is no way that we can recreate Angelo Badalamenti and David Lynch’s music as it was originally played. It is too perfect and we could never do its replication justice. Our attempt will be to play the parts of the songs as written, meaning, following the harmony melody but to arrange in the way that it has shaped us as players” – Jamie Stewart, Xiu Xiu