Michael Hann on Zun Zun Egui’s ‘Katang’ –
If British urban music is starting to celebrate Africa in the form of Afrobeats, Zun Zun Egui showed that indie can do the same – without it being a Vampire Weekendesque appropriation of individual sounds. These Bristolians’ trick is to take African forms and turn them into art rock, rather than taking art rock and making it sound a bit African. Katang was a multilingual, polyrhythmic, insanely disparate album of breathless invention, a stylistic one-off that showed them to be the rarest of things in current UK guitar music: sui generis.
See the full list over at The Guardian.